The sea is calm tonight. The tide is full; the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. The Writer - 47. lappuse1927Pilnskats - Par šo grāmatu
| George William McClelland - 1925 - 1178 lapas
...bursts come crowding through the leaves! Againthou hearest? 3 ° Eternal passion! Eternal pain! oors, straits;on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering... | |
| William Joseph Long - 1925 - 844 lapas
...Singing, "There dwells a loved one, But cruel is she ! She left lonely for ever The kings of the sea." DOVER BEACH The sea is calm to-night. The tide is full, the moon lies fair 15 Upon the straits; on the French coast, the light Gleams and is gone ; the cliffs of England stand,... | |
| Stein Haugom Olsen - 1978 - 260 lapas
...reflection but it is not the progression of an argument. It starts with a presentation of the scene : The sea is calm tonight. The tide is full, the moon lies fair. . . Then, as a next step, the speaker points out that there is poetic precedent for using this scene... | |
| Bill Moore - 1987 - 180 lapas
...together. Matthew Arnold's most famous poem is probably "Dover Beach." Here are its opening lines: The sea is calm tonight, The tide is full, the moon...on the French coast the light Gleams and is gone: . . . Gleams . . . gone. The lights begin to twinkle from the rocks: The long day wanes: the slow moon... | |
| Stein Haugom Olsen - 1987 - 246 lapas
...susceptible to judgements about truth or falsity. However, when statements occur in literary works ('The sea is calm tonight. / The tide is full, the moon lies fair / Upon the straits . . .') they, like other types of utterances, are etiolated. They have lost their assertive function,... | |
| Antony Easthope - 1989 - 240 lapas
...is kept in mind, the last lines can be taken to allude to the various European revolutions of 1848. The sea is calm to-night. The tide is full, the moon...light Gleams and is gone; the cliffs of England stand, 5 Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from... | |
| Edith P. Hazen - 1992 - 1172 lapas
.... . (1. 61-64) ChTr; FaBoRV; FiP; NOBE; OAEL-2; OBEY; WiR MATTHEW ARNOLD (1822-1888) Dover Beach 1 ; OAEL-2 IV. Summer Vacation 102 And open field, through which the pathway wound (1. 1-3) 2 Sophocles long ago Heard it on the Aegaean, and it brought Into his mind the turbid... | |
| John McRae - 1998 - 172 lapas
...times and places. As you read, what sights do you see, and what sounds do you hear? Text: Poem (i) (i) The sea is calm tonight. The tide is full, the moon...light Gleams and is gone; the cliffs of England stand, 5 Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from... | |
| Anne Ferry - 2001 - 318 lapas
...the setting in the first five lines of "Dover Beach" lives up to its historical and literary past: The sea is calm to-night. The tide is full, the moon...England stand, Glimmering and vast, out in the tranquil bay.67 The pause marked by punctuation and line-ending after "the cliffs of England stand," likens... | |
| Lorenzo Charles Simpson - 2001 - 198 lapas
...respective positions for the concerns that animate this project. On Matthew Arnold and the Idea of Culture The sea is calm to-night. The tide is full, the moon lies fair Upon the straits;-on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering... | |
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