Gender ought not to be construed as a stable identity or locus of agency from which various acts follow; rather gender is an identity tenuously constituted in time, instituted in an exterior space through a stylized repetition of acts. The Poetics of DNA - 212. lappuseautors: Judith Roof - 2007 - 256 lapasIerobežota priekšskatīšana - Par šo grāmatu
| Michael A. Peters, D. John Freeman-Moir - 2006 - 297 lapas
...sex differences, Butler defines gender in a much more dynamic way, gender being performance: ". . . gender is an identity, tenuously constituted in time,...exterior space through a stylized repetition of acts" (p. 140). By viewing gender in this way, Butler reverses the hierarchy and suggests that gender is... | |
| Allison Mary Levy - 2006 - 364 lapas
...is the mundane and ritualized form of their legitimization ... this 'action' is a public action ... gender is an identity tenuously constituted in time,...exterior space through a stylized repetition of acts." Insofar as the public mourning ritual stands as a cultural mechanism designed and performed in order... | |
| Susanne Bach - 2006 - 402 lapas
...Geschlechterrollenvorgaben hinterfragt und die Bernstein (1997: 5). Vgl. Butlers gcnder-Def'mition: "[Gender] is an identity tenuously constituted in...in an exterior space through a stylized repetition ofacts" (Butler 1990: 140; Hervorhebung im Original). 350 problematisch bewertete Nähe zum männlichen... | |
| Pamela L. Geller, Miranda K. Stockett - 2006 - 260 lapas
...repetition of socially evaluated action. In Gender Trouble, performance had been concisely defined as "an identity tenuously constituted in time, instituted...exterior space through a stylized repetition of acts" (Butler 1990, 140; emphasis in original). A process unfolding over time in an exterior space, shaped... | |
| Stacy Linn Holman Jones - 2007 - 232 lapas
...Feminism and the Subversion of Identity (New York: Routledge, 1990), 140-41, 145, when she writes, "Gender ought not to be construed as a stable identity...exterior space through a stylized repetition of acts.... If gender attributes, however, are not expressive but performative, then these attributes effectively... | |
| Moya Lloyd - 2007 - 217 lapas
...conclusion of her discussion of gender performativity, now shorn of reference to Beauvoir, she notes: 'Gender ought not to be construed as a stable identity...constituted in time, instituted in an exterior space through the stylized repetition of acts' (GT: 179). 45 Although I cannot develop this argument here, it is... | |
| Catherine M. Cole, Takyiwaa Manuh, Stephan Miescher - 2007 - 690 lapas
...necessarily as something people have but as something people do. Butler (1990, 140) argues that gender is not "a stable identity or locus of agency from which various...exterior space through a stylized repetition of acts." Especially in a context such as colonial Africa where gender was already quite malleable and a... | |
| Song Hwee Lim - 2006 - 270 lapas
...thus unwittingly repeating his childhood mistake of reversing the gender construction in the line. If "gender is an identity tenuously constituted in time,...exterior space through a stylized repetition of acts" (Butler 1990, 140; emphasis in original), the film shows that the reiterative force of Dieyi's performativity... | |
| Virginia Blanton - 2010 - 370 lapas
...reading here is largely informed by Butler's discussion of performative gender and her definition that "Gender is an identity tenuously constituted in time,...exterior space through a stylized repetition of acts." See Gender Trouble, 140. 31. Richard Gameson, Tlie Role of Art in the Late Anglo-Saxon Church (Oxford:... | |
| Judith Kegan Gardiner - 2002 - 404 lapas
...gender's founding alibi, gave Butler one way, among many explored in Gender Trouble, to conclude that gender ought not to be construed as a stable identity...exterior space through a stylized repetition of acts. . . . This formulation moves the conception of gender off the ground of a substantial model of identity... | |
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