| William Shakespeare - 2001 - 448 lapas
...shipwracke in the same ' place, then we are too blame if we accept it not for a rocke. Vpon the backe of ' that comes out a hideous monster with fire and smoke, and then the miserable be' holders are bound to take it for a caue : while in tide meane time two armies flie in, ' represented... | |
| Philip Sidney - 2002 - 182 lapas
...stage to be a garden. By and by we hear news of shipwreck in the same place and then we are to blame if we accept it not for a rock. Upon the back of that...beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will... | |
| Philip Sidney - 2002 - 286 lapas
...stage to be a garden. By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that...comes out a hideous monster with fire and smoke, and 5 then the miserable beholders are bound to take it for a cave. While in the meantime two armies fly... | |
| Krystyn R. Moon - 2005 - 244 lapas
...functioned in one moment as a "shipwreck" and then later "a cave" where "a hideous monster" lived. Later, "two armies fly in, represented with four swords and...what hard heart will not receive it for a pitched battle?"" Like Butler, an anonymous writer in the journal All the Year Round in 1865 wrote that Chinese... | |
| Janette Dillon - 2006 - 39 lapas
...stage to be a garden. By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that...beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will... | |
| John D. Cox - 2007 - 368 lapas
...conceived." What is one minute a garden must next be imagined a rock and then a cave. "While in the meantime two armies fly in, represented with four swords and...what hard heart will not receive it for a pitched field?"27 Sidney learned his neoclassicism from Italian critics, but its assumption that verisimilitude... | |
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