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" ... off, before he committed one word to writing, and never touched pen till all was to stand as firm and immutable as if engraven in brass or marble. "
The Works of Beaumont and Fletcher: In Fourteen Volumes: with an ... - cxxxix. lappuse
autors: Francis Beaumont, John Fletcher - 1812 - 14 lapas
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The Works of Francis Beaumont and John Fletcher, 1. sējums

Francis Beaumont, John Fletcher - 1905 - 528 lapas
...prepare and perfeft all first in his owne braine; to shape and attire his Notions, to adde or loppe off, before he committed one word to writing, and never touched pen till all was to stand as firme and immutable as if ingraven in Brasse or Marble. But I keepe you too long from those friends...
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The Works of Francis Beaumont and John Fletcher: The maids tragedy ...

Francis Beaumont - 1905 - 528 lapas
...hand, is free from 1nterlining; and his friends affirme he never writ any one thing twice: it seemes he had that rare felicity to prepare and perfect all first in his owne braine; to shape and attire his Notions, to adde or loppe off, before he committed one word to...
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Shakespeare im literarischen Urteil seiner Zeit

Levin Ludwig Schücking - 1908 - 224 lapas
...band, is free from interlining; and his friends affirme he never writ any one thing twice: it seemes he had that rare felicity to prepare and perfect all first in his owne braine. Indes weist auch der psychologische Charakter des Schaffens bei Shakespeare darauf hin,...
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The English Drama in the Age of Shakespeare

Wilhelm Michael Anton Creizenach - 1916 - 488 lapas
...of Fletcher, whose first editor (1647) tells us that he never crossed anything out, for ' it seems he had that rare felicity to prepare and perfect all first in his own brain.' ' For the contradiction between this statement and Ben Jonson's other remarks on the subject of Shakespeare's...
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Queering the Renaissance

Jonathan Goldberg - 1994 - 404 lapas
...prepare and perfect all first in his owne braine; to shape and attire his Notions, to adde or loppe off, before he committed one word to writing, and never touched pen till all was to stand as firme and immutable as if ingraven in Brasse or Marble." The thrust of the passage is against duality...
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Manuscript, Print, and the English Renaissance Lyric

Arthur F. Marotti - 1995 - 372 lapas
...kind of myth associated earlier with Shakespeare, who supposedly never "blotted a line": "[Fletcher] had that rare felicity to prepare and perfect all first in his braine; to shape and attire his Notions, to adde or loppe off, before he committed one word to writing,...
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Textual Intercourse: Collaboration, Authorship, and Sexualities in ...

Jeffrey Masten - 1997 - 244 lapas
...hand, is free from interlining; and his friends affirme he never writ any one thing twice: it seemes he had that rare felicity to prepare and perfect all first in his owne braine; to shape and attire his Notions, to adde or loppe off, before he committed one word to...
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From Playhouse to Printing House: Drama and Authorship in Early Modern England

Douglas A. Brooks - 2006 - 320 lapas
...second will be uncannily familiar: [H]is friends affirme he never writ any one thing twice: it seemes he had that rare felicity to prepare and perfect all first in his owne braine; to shape and attire his Notions, to addc or loppe off, before he committed one word to...
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The Works of Beaumont and Fletcher (Volume 1) ~ Paperbound

600 lapas
...never writ any one thing twice : it seems he had that rare felicity to prepare and perfect all first hi his own brain; to shape and attire his notions, to...marble. But I keep you too long from those friends g of his, whom 'tis fitter for you to read ; only accept of the honest endeavours of One that is a...
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the maids tragedy philaster a king, and no king the scorful lady the custom ...

528 lapas
...hand, is free from 1nterlining; and his friends affirme he never writ any one thing twice: it seemes he had that rare felicity to prepare and perfect all first in his owne braine; to shape and attire his Notions, to adde or loppe off, before he committed one word to...
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