The Writer, 39. sējumsThe Writer, 1927 |
No grāmatas satura
11.–15. rezultāts no 100.
34. lappuse
... mind somewhat below the sur- face of the written word . 1. How is the author's point of view ro- mantic , realistic , classical , or naturalistic ? 2. Discuss the critic's literary style as fitted to the particular criticism . 3. Is the ...
... mind somewhat below the sur- face of the written word . 1. How is the author's point of view ro- mantic , realistic , classical , or naturalistic ? 2. Discuss the critic's literary style as fitted to the particular criticism . 3. Is the ...
37. lappuse
... mind , are represented in the chap- ters by W. C. Brownell , Stuart Sherman , Percy Boynton and Van Wyck Brooks ... minds . They are particularly noteworthy because , as the editor says of them , " There is nothing of which I could ...
... mind , are represented in the chap- ters by W. C. Brownell , Stuart Sherman , Percy Boynton and Van Wyck Brooks ... minds . They are particularly noteworthy because , as the editor says of them , " There is nothing of which I could ...
45. lappuse
... mind . That is what he has used the novel for primarily . Wilbur Cross . THE MIND OF H. G. WELLS . ( Yale Review for January ) DE is one of the most indefinite terms OPE in - 45 - The Writer.
... mind . That is what he has used the novel for primarily . Wilbur Cross . THE MIND OF H. G. WELLS . ( Yale Review for January ) DE is one of the most indefinite terms OPE in - 45 - The Writer.
47. lappuse
... mind to exercise that proper economy which forbids prolixity . In modulated verse we divide our poem according to the division of thought , we vary our line length according to the amount of content , and we insert our rhymes wherever ...
... mind to exercise that proper economy which forbids prolixity . In modulated verse we divide our poem according to the division of thought , we vary our line length according to the amount of content , and we insert our rhymes wherever ...
51. lappuse
... interested in talk- ing to a man about his work ? 16. Does advertising interest you ? Do you notice window displays , billboards , ad- vertisements , circulars ? 17. Have you an analytic mind ? Do you reason [ 51 ] The Writer.
... interested in talk- ing to a man about his work ? 16. Does advertising interest you ? Do you notice window displays , billboards , ad- vertisements , circulars ? 17. Have you an analytic mind ? Do you reason [ 51 ] The Writer.
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Populāri fragmenti
31. lappuse - My task which I am trying to achieve is, by the power of the written word to make you hear, to make you feel — it is, before all, to make you see.
31. lappuse - All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its high desire is to reach the secret spring of responsive emotions. It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music— which is the art of arts.
220. lappuse - Give me the making of the songs of a nation and I care not who makes its laws.
45. lappuse - The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furled, But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
45. lappuse - Ah, love, let us be true To one another ! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain ; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.
134. lappuse - So did the best writers in their beginnings: they imposed upon themselves care and industry; they did nothing rashly; they obtained first to write well, and then custom made it easy and a habit. By little and little their matter...
134. lappuse - For a man to — write well, there are required three necessaries — to read the best authors, observe the best speakers, and much exercise of his own style.
45. lappuse - The sea is calm tonight. The tide is full; the moon lies fair Upon the straits; — on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
134. lappuse - Yet, when we think we have got the faculty, it is even then good to resist it, as to give a horse a check sometimes with a bit, which doth not so much stop his course as stir his mettle. Again, whither a man's genius is best able to reach, thither it should more and more contend, lift and dilate itself; as men of low stature raise themselves on their toes, and so oft-times get even, if not eminent.
135. lappuse - For the mind and memory are more sharply exercised in comprehending another man's things than our own; and such as accustom themselves, and are familiar with the best authors, shall ever and anon find somewhat of them in themselves, and in the expression of their minds, even when they feel it not, be able to utter something like theirs, which hath an authority above their own.