The Works of Beaumont and Fletcher: In Fourteen Volumes: with an Introduction and Explanatory Notes, 1-2. sējumiJ. Ballantyne, 1812 |
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6.–10. rezultāts no 100.
lxxx. lappuse
... hand in that play , and perhaps furnished that character . If our poets did not succeed in their delineations of tyrants , sycophants , and murder- ers , they are , perhaps , still less happy when they wish to present their audience ...
... hand in that play , and perhaps furnished that character . If our poets did not succeed in their delineations of tyrants , sycophants , and murder- ers , they are , perhaps , still less happy when they wish to present their audience ...
cxl. lappuse
... hand is free from interlining ; and his friends af- firm he never writ any one thing twice . " 1 It seems " Fletcher's works by themselves . If Mr Moseley could have made this separation , it is greatly to be regretted that he left us ...
... hand is free from interlining ; and his friends af- firm he never writ any one thing twice . " 1 It seems " Fletcher's works by themselves . If Mr Moseley could have made this separation , it is greatly to be regretted that he left us ...
cxlvii. lappuse
... hand , so strongly marked in this play , strike a new light upon Beaumont's cha- racter . For , in a letter to Jonson , printed at the end of The Nice Valour , vol . X.4 he speaks of him- self not as a mere corrector of other works ...
... hand , so strongly marked in this play , strike a new light upon Beaumont's cha- racter . For , in a letter to Jonson , printed at the end of The Nice Valour , vol . X.4 he speaks of him- self not as a mere corrector of other works ...
cxlviii. lappuse
... hand is very visible in the extreme droll cha- racter of The French Lawyer , who runs duello - mad ; the pro- logue talks of the authors in the plural number , and the strain of high burlesque appears very similar in the two characters ...
... hand is very visible in the extreme droll cha- racter of The French Lawyer , who runs duello - mad ; the pro- logue talks of the authors in the plural number , and the strain of high burlesque appears very similar in the two characters ...
cli. lappuse
... hand therefore seemed visible . I therefore began to recollect which of the foregoing plays most resembled this , to see what light might be gained from them ; the first that occurred was The Knight of the Burning Pestle , which is all ...
... hand therefore seemed visible . I therefore began to recollect which of the foregoing plays most resembled this , to see what light might be gained from them ; the first that occurred was The Knight of the Burning Pestle , which is all ...
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Abig Armanus authors Beaumont and Fletcher Ben Jonson brother Burning Pestle Clodio comedy dare death dramatic edition editors Enter Exeunt Exit fair faith Faithful Shepherdess fear folio fool fortune Fran Francis Beaumont gentleman George give hast hath honour Isab Jasp JOHN FLETCHER Jonson king Knight Lady Lance Learch Leop Little French Lawyer live lord Loveless Luce madam Maid's Tragedy master master Humphrey means merry mistress Monsieur Thomas ne'er never Nice Valour noble on't Philaster play poems poets Pr'ythee pray quarto Ralph SCENE Scornful Lady servant Seward Shakspeare shew sing speak sweet Sympson tell thee Theobald there's thing thou art Titus Tull Tullius twas verses wench Wife Wit without Money woman word