Central and Eastern Europe: Audiovisual Landscape and Copyright LegislationMaklu, 1994 - 215 lappuses |
No grāmatas satura
6.–10. rezultāts no 17.
119. lappuse
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Saturs
The Audiovisual Landscape of Central | 13 |
An Overview of the Film Scene | 31 |
The Audiovisual Industry in Slovenia | 49 |
Russian Film Production A Riddle | 62 |
Hollywood Goes East | 75 |
COPYRIGHT LEGISLATION | 81 |
Experiences of EastWest Film Coproductions An Interview with | 89 |
EastWest Integration | 102 |
Duration of copyright protection | 118 |
The legal position of the performing artist in Central | 126 |
F Duration of protection of the performing artists neighbouring | 132 |
New prerogatives for rightholders distribution | 140 |
Remuneration from fees for private copying | 146 |
Collective licensing of rights and remuneration | 156 |
USEFUL ADDRESSES | 181 |
Preface | 109 |
Bieži izmantoti vārdi un frāzes
activities advertising agreement already American audiovisual become broadcasting Budapest Bulgarian cable cent Central and Eastern channels cinema co-production collective communication companies concerning consent contract contribution copying costs Council created Culture Czech direct directors distribution Eastern Europe Eastern European economic established European countries example exchange exploitation film production foreign former Hollywood Hungarian Hungary important independent industry interest legislation licensing major million Ministry moral right Moscow neighbouring rights offer OIRT operate organizations performing artists period person phonogram Poland Polish political practice Prague principle prior problems production programmes protection provides radio reasons recent recording regards region remuneration representatives Republic Romania Russian satellite situation Slovak Soviet stations studios television tion transmission Union various Western