Legal Issues that Arise when Color is Added to Films Originally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session on ... May 12, 1987, 4. sējumsU.S. Government Printing Office, 1988 - 187 lappuses |
No grāmatas satura
6.–10. rezultāts no 32.
10. lappuse
... CHOICE OF THE APPEARANCE OF ANY WORK OF ART DOES NOT REST WITH THE READER , THE LISTENER , THE VIEWER OR THE AUDIENCE . IT RESTS WITH THE ARTIST . IT IS PERHAPS THE MOST BASIC RIGHT OF THE ARTIST , AND ONE THAT THE DIRECTORS GUILD , AS ...
... CHOICE OF THE APPEARANCE OF ANY WORK OF ART DOES NOT REST WITH THE READER , THE LISTENER , THE VIEWER OR THE AUDIENCE . IT RESTS WITH THE ARTIST . IT IS PERHAPS THE MOST BASIC RIGHT OF THE ARTIST , AND ONE THAT THE DIRECTORS GUILD , AS ...
11. lappuse
... CHOICE BUT BY STUDIO FIAT AND MANY DIRECTORS WOULD HAVE WANTED COLOR IF THEY HAD BEEN ALLOWED TO USE IT . " PUTTING ASIDE THE QUESTION WHETHER ANY PROFESSIONAL WOULD STILL HAVE A JOB AFTER MISAPPLYING SUCH COLORS , THE REASON THAT THE ...
... CHOICE BUT BY STUDIO FIAT AND MANY DIRECTORS WOULD HAVE WANTED COLOR IF THEY HAD BEEN ALLOWED TO USE IT . " PUTTING ASIDE THE QUESTION WHETHER ANY PROFESSIONAL WOULD STILL HAVE A JOB AFTER MISAPPLYING SUCH COLORS , THE REASON THAT THE ...
17. lappuse
... choice and that the whole art of directing a motion picture is based en- tirely on a series of choices and ... choice of writer or writers , and with the writer the choice of content in each scene , the choice of who will play the roles ...
... choice and that the whole art of directing a motion picture is based en- tirely on a series of choices and ... choice of writer or writers , and with the writer the choice of content in each scene , the choice of who will play the roles ...
18. lappuse
... choice . A filmmaker has nothing other than the quality and integrity of his or her work , and that quality or integrity are made of absolute- ly nothing but this series of choices , and we are here to insist on the protection really of ...
... choice . A filmmaker has nothing other than the quality and integrity of his or her work , and that quality or integrity are made of absolute- ly nothing but this series of choices , and we are here to insist on the protection really of ...
19. lappuse
... choices that finally become a motion picture , is not beside the point . It is the point , and we have to do everything we can to see that does not happen . [ The statement of Mr. Pollack follows : ] ORS GUIL ONI DIRECTORS GUILD OF ...
... choices that finally become a motion picture , is not beside the point . It is the point , and we have to do everything we can to see that does not happen . [ The statement of Mr. Pollack follows : ] ORS GUIL ONI DIRECTORS GUILD OF ...
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact film buffs Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG