Music Licensing and Small Business: Hearing Before the Committee on Small Business, House of Representatives, One Hundred Fourth Congress, Second Session, Washington, DC, May 8, 1996, 4. sējumsU.S. Government Printing Office, 1997 - 257 lappuses |
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6.–10. rezultāts no 51.
15. lappuse
... charged the same rate as stations that play music all day long ? No. If we try to use the per program license offered today and we play 1 hour of music they would charge us for 3 or 4 hours . Thus , if more than one - third of our ...
... charged the same rate as stations that play music all day long ? No. If we try to use the per program license offered today and we play 1 hour of music they would charge us for 3 or 4 hours . Thus , if more than one - third of our ...
19. lappuse
... if you object to being charged one fee while the business down the street is paying a wildly dif- ferent rate , or if you can't get a straight answer about what each music society represents , you have just one option : 19.
... if you object to being charged one fee while the business down the street is paying a wildly dif- ferent rate , or if you can't get a straight answer about what each music society represents , you have just one option : 19.
20. lappuse
... 'm will- ing to bet that if any songwriter came to my restaurant and got some idea of the way ASCAP and BMI charge and collect fees , they'd know why I am sitting here today . I had to think long and hard about speaking out 20.
... 'm will- ing to bet that if any songwriter came to my restaurant and got some idea of the way ASCAP and BMI charge and collect fees , they'd know why I am sitting here today . I had to think long and hard about speaking out 20.
22. lappuse
... charged , and you know that . We're charged on the square footage of our establishments and / or how much we paid for a ... charge us at , that would sure be a lot fairer . But to say to us , you have to pay for - we don't have any ...
... charged , and you know that . We're charged on the square footage of our establishments and / or how much we paid for a ... charge us at , that would sure be a lot fairer . But to say to us , you have to pay for - we don't have any ...
35. lappuse
... charge them . You can charge them a million dollars a year if you wish be- cause this is a marketplace and if you charge them too much , they simply won't use it and soon the price of your product will reach a market level where you're ...
... charge them . You can charge them a million dollars a year if you wish be- cause this is a marketplace and if you charge them too much , they simply won't use it and soon the price of your product will reach a market level where you're ...
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ALGER amended antitrust arbitration ASCAP and BMI ASCAP repertory background music Barba BERENSON Berne Convention bill blanket license BMI and SESAC Broadcast Music Chair MEYERS Congress consent decrees copyright law copyright owner copyrighted music cost disputes Dixville Notch entertainment Epperson exempt Fairness in Musical hearing incidental infringement intellectual property issue Jim Sensenbrenner LAFALCE lawsuit legislation Licensed Beverage Association Madam Chair motion picture music licensing organizations music licensing societies music publishers music users musical compositions Musical Licensing Act National Football League National Licensed Beverage National Religious Broadcasters National Restaurant Association negotiate NLBA paid Pat Alger percent performance or display performing rights organizations performing rights society play program license public performance radio stations Religious Broadcasters representatives request restaurateurs retail royalties Sensenbrenner SESAC small business owners Society of Composers songs songwriters TAVENNER television Th F Thank there's tion York ZELIFF
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156. lappuse - For the purpose of the foregoing sentence, a "supplementary work" is a work prepared for publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes, and an "instructional text...
178. lappuse - THEREFORE, before any testimony has been taken herein, and without trial or adjudication of any issue of fact...
151. lappuse - Phonorecords" are material objects in which sounds, other than those accompanying a motion picture or other audiovisual work, are fixed by any method now known or later developed, and from which the sounds can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term "phonorecords" includes the material object in which the sounds are first fixed.
150. lappuse - Audiovisual works" are works that consist of a series of related images which are intrinsically intended to be shown by the use of machines or devices such as projectors, viewers, or electronic equipment, together with accompanying sounds, if any, regardless of the nature of the material objects, such as films or tapes, in which the works are embodied.
152. lappuse - fixed" in a tangible medium of expression when its embodiment in a copy orphonorecord, by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is "fixed...
178. lappuse - This Court has jurisdiction of the subject matter of this action and of the parties hereto. The complaint states...
152. lappuse - derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted.
152. lappuse - Every application for copyright registration must state "the year in which creation of the work was completed." Give the date and nation of first publication only if the work has been published. Creation: Under the statute, a work is "created" when it is fixed in a copy or phonorecord for the first time.
152. lappuse - joint work" is a work; prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole. "Literary works" are works, other than audiovisual works, expressed in words, numbers, or other verbal or numerical symbols or indicia, regardless of the nature of the material objects, such as books, periodicals, manuscripts, phonorecords, film, tapes, disks, or cards in which they are embodied.
112. lappuse - This agreement shall enure to the benefit of and shall be binding upon the parties hereto and their respective successors and assigns...