Copyright Term, Film Labeling, and Film Preservation Legislation: Hearings Before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, First Session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995U.S. Government Printing Office, 1996 - 687 lappuses |
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1.–5. rezultāts no 100.
76. lappuse
... costs of production makes investment in serious copyrighted mate- rial a very speculative undertaking . MPA has stated that in the United States , printing costs alone for a symphonic work average $ 15,000 . Printing costs for a full op ...
... costs of production makes investment in serious copyrighted mate- rial a very speculative undertaking . MPA has stated that in the United States , printing costs alone for a symphonic work average $ 15,000 . Printing costs for a full op ...
83. lappuse
... costs of production make investment in serious copyrighted material a very speculative undertaking . MPA has stated that , in the U.S. , printing costs alone for a symphonic work average $ 15,000 . Printing costs for a full operatic ...
... costs of production make investment in serious copyrighted material a very speculative undertaking . MPA has stated that , in the U.S. , printing costs alone for a symphonic work average $ 15,000 . Printing costs for a full operatic ...
109. lappuse
... costs many millions of dollars to make . To recoup this investment , the companies have to distribute product in many countries and over a long period of time . The copyright term of a number of landmark films , such as " Gone With The ...
... costs many millions of dollars to make . To recoup this investment , the companies have to distribute product in many countries and over a long period of time . The copyright term of a number of landmark films , such as " Gone With The ...
111. lappuse
... costs , directors get something out of it , thanks to the negotiated resid- ual arrangements . We would not support legislation that negates these arrange- ments . Secondly , the producers have a long history of wailing how innovations ...
... costs , directors get something out of it , thanks to the negotiated resid- ual arrangements . We would not support legislation that negates these arrange- ments . Secondly , the producers have a long history of wailing how innovations ...
121. lappuse
... cost of production to distributors and , in turn , to video retailers . We - the retailers - would have to absorb that increased cost ( although our margin of profit is far smaller than those of screenwriters and directors ) and pass it ...
... cost of production to distributors and , in turn , to video retailers . We - the retailers - would have to absorb that increased cost ( although our margin of profit is far smaller than those of screenwriters and directors ) and pass it ...
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Alan Menken American archives artists ASCAP author plus 50 BECERRA BERMAN Berne Convention bill BONO committee consumer CONYERS Copyright Act copyright industries Copyright Law Revision Copyright Office copyright owners copyright protection copyright term extension countries created creation creative creators cultural director duration economic Europe European Union exploit extend the term granted Guild of America harmonization hearing heirs Henry Mancini hereinafter intellectual property issue label Lanham Act legislation license longer term Marilyn Bergman motion picture movie MPAA music publishers National Film Preservation National Film Registry panning and scanning PREPARED STATEMENT proposed public domain question Quincy Jones renewal term royalties shorter term song songwriter sound recordings subcommittee supra note television Term Extension Act term of copyright term of protection termination right Thank tion trade transfer TRIPS Agreement U.S. copyright law U.S. law United VALENTI
Populāri fragmenti
292. lappuse - The limited scope of the copyright holder's statutory monopoly, like the limited copyright duration required by the Constitution, reflects a balance of competing claims upon the public interest: Creative work is to be encouraged and rewarded, but private motivation must ultimately serve the cause of promoting broad public availability of literature, music, and the other arts.
476. lappuse - ... (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
324. lappuse - Supplementary Report of the Register of Copyrights on the General Revision of the US Copyright Law, Eightyninth Congress, first session.
489. lappuse - ... (1) to reproduce the copyrighted work in copies or phonorecords; (2) to prepare derivative works based upon the copyrighted work; (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending; (4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly...
488. lappuse - Notwithstanding the provisions of section 106, the following are not infringements of copyright : (1) performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction...
616. lappuse - The bill (section 302) would substantially increase the duration of the copyright by providing for a term consisting of the life of the author and 50 years after his death...
578. lappuse - Now, would the knowledge that this copyright would exist in 1841 have been a source of gratification to Johnson ? Would it have stimulated his exertions ? Would it have once drawn him out of his bed before noon? Would it have once cheered him under a fit of the spleen? Would it have induced him to give us one more allegory, one more life of a poet, one more imitation of Juvenal? I firmly believe not.
662. lappuse - to promote the progress of science and useful arts, by securing, for a limited time, to authors and inventors, the exclusive right to their respective writings and discoveries.
173. lappuse - a joint work prepared by two or more authors who did not work for hire" the term lasts for 50 years after the last surviving author's death. For works made for hire and for anonymous and pseudonymous works (unless the author's identity is revealed in Copyright Office records), the duration of copyright will be 75 years from publication or 100 years from creation, whichever is shorter.
591. lappuse - States have exercised this entitlement: whereas in addition certain Member States have not become party to the Rome Convention: (2) Whereas there are consequently differences between the national laws governing the terms of protection of copyright and related rights, which are liable to impede the free movement of goods and freedom to provide services, and to distort competition in the common market: whereas therefore with a view to the smooth operation of the internal market, the laws of the Member...