The Literary RevolutionFrank-Maurice, Incorporated, 1927 - 194 lappuses |
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1.–5. rezultāts no 5.
5. lappuse
... Amy Lowell - H . G. Wells - Cam- ille Flammarion - John Masefield - George Sterling · THE REPUDIATION OF THE BEAUTIFUL John Keats - Carl Sandburg - Percy Bysshe Shelley - John Gould Fletcher - William Wordsworth - Modern Innovators THE ...
... Amy Lowell - H . G. Wells - Cam- ille Flammarion - John Masefield - George Sterling · THE REPUDIATION OF THE BEAUTIFUL John Keats - Carl Sandburg - Percy Bysshe Shelley - John Gould Fletcher - William Wordsworth - Modern Innovators THE ...
30. lappuse
... Amy Lowell , and others of the less tradi- tional group . The above quotation from H. D. would serve as an example in point ; but , lest that illustration be not sufficient , let me cite a few lines from " Willow Poem " by William ...
... Amy Lowell , and others of the less tradi- tional group . The above quotation from H. D. would serve as an example in point ; but , lest that illustration be not sufficient , let me cite a few lines from " Willow Poem " by William ...
78. lappuse
... Amy Lowell , one of the best known writers of the Literal school . The selection opens as follows : Lilacs , False blue , White , Purple , Color of lilac , Your great puffs of flowers Are everywhere in this my New England and continues ...
... Amy Lowell , one of the best known writers of the Literal school . The selection opens as follows : Lilacs , False blue , White , Purple , Color of lilac , Your great puffs of flowers Are everywhere in this my New England and continues ...
95. lappuse
... Amy Lowell's Tendencies in Modern American Poetry . " All that one can safely say of Mr. Sandburg's work , " she declares , in her summary of that writer's achieve- ment , " is that it contains touches of great and original beauty ...
... Amy Lowell's Tendencies in Modern American Poetry . " All that one can safely say of Mr. Sandburg's work , " she declares , in her summary of that writer's achieve- ment , " is that it contains touches of great and original beauty ...
97. lappuse
... Amy Lowell , H. D. , John Gould Fletcher and their fellow Imagists . But the following , by Mr. Fletcher , will serve as well as any other : When the moon lights up Its dull red camp - fire through the trees ; And floats out , like a ...
... Amy Lowell , H. D. , John Gould Fletcher and their fellow Imagists . But the following , by Mr. Fletcher , will serve as well as any other : When the moon lights up Its dull red camp - fire through the trees ; And floats out , like a ...
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Bieži izmantoti vārdi un frāzes
Amy Lowell anapestic appear artificial atmosphere beauty believe chance CHAPTER cliques colors commercial contemporary course creed critical dogmas doubt earth Edgar Lee Masters Edna Ferber effect emotions Erewhon esthetic exaltation example existence expression fact fancy feel flower free verse free versifiers give human idea illusion imagination Imagists impression impressionism influence John Gould Fletcher lack less Literal Realism literary revolution Loveliness material means ment merely method mind modern literature modernists natural never novel numbers object obscure observed offer one's passage perhaps personality poem poetic poetry poets portunities precisely present present-day prose Psychological reader realistic reality reason rhyme rhythm seems sentence Shelley Sherwood Anderson soul spirit stock broker style Surface Values tendencies theme things thought tion true truth ture vers libre visible Volstead Act W. H. Hudsons whole words writers
Populāri fragmenti
141. lappuse - During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.
70. lappuse - THERE is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tired eyelids upon tired eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro...
69. lappuse - SHE dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love: A viojet by a mossy stone Half hidden from the eye ! — Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me ! 1799.
100. lappuse - Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears ; To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.
116. lappuse - AT the last, tenderly, From the walls of the powerful fortress'd house, From the clasp of the knitted locks, from the keep of the wellclosed doors, Let me be wafted. Let me glide noiselessly forth ; With the key of softness unlock the locks — with a whisper, Set ope the doors O soul.
115. lappuse - HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in the distance lost.
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94. lappuse - THE awful shadow of some unseen Power Floats though unseen among us ; visiting This various world with as inconstant wing As summer winds that creep from flower to flower ; Like moonbeams that behind some piny mountain shower, It visits with inconstant glance Each human heart and countenance ; Like hues and harmonies of evening, Like clouds in starlight widely spread, Like memory of music fled, Like aught that for its grace may be Dear, and yet dearer for its mystery.
142. lappuse - ... an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium the bitter lapse into everyday life - the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.