Virgil Recomposed: The Mythological and Secular Centos in AntiquityOxford University Press, 2005. gada 28. jūl. - 260 lappuses The Virgilian centos anticipate the avant-garde and smash the image of a staid, sober, and centered classical world. This book examines the twelve mythological and secular Virgilian centos that survive from antiquity. The centos, in which authors take non-consecutive lines or segments of lines from the Eclogues, Georgics, and Aeneid and reconnect them to produce new poems, have received limited attention. No other book-length study exists of all the centos, which date from ca. 200 to ca. 530. The centos are literary games, and they have a playful shock value that feels very modern. Yet the texts also demand to be taken seriously for what they disclose about late antique literary culture, Virgil's reception, and several important topics in Latin literature and literary studies generally. As radically intertextual works, the centos are particularly valuable sites for pursuing inquiry into allusion. Scrutinizing the peculiarities of the texts' allusive engagements with Virgil requires clarification of the roles of the author and the reader in allusion, the criteria for determining what constitutes an allusion, and the different functions allusion can have. By investigating the centos from these different perspectives and asking what they reveal about a wide range of weighty subjects, this book comes into dialogue with major topics and studies in Latin literature. |
No grāmatas satura
1.5. rezultāts no 80.
. lappuse
... Aeneid) for each verse segment in each line that I cite. This, I recognize, interrupts the flow of the line, with Virgil breaking into the experience of reading the passages in the centos. I believe that such intrusions are appropriate ...
... Aeneid) for each verse segment in each line that I cite. This, I recognize, interrupts the flow of the line, with Virgil breaking into the experience of reading the passages in the centos. I believe that such intrusions are appropriate ...
. lappuse
... Aeneid own. and2 pieced together These units to may consist of a segment of a hexameter line; an entire line; a line and some lines.3 section Sixteen of the following line; and rarely two or three entire from ca. 200 Virgilian to ca ...
... Aeneid own. and2 pieced together These units to may consist of a segment of a hexameter line; an entire line; a line and some lines.3 section Sixteen of the following line; and rarely two or three entire from ca. 200 Virgilian to ca ...
. lappuse
... Aeneid, held a central position in the schools of grammar and an important one in the schools of rhetoric from the time Caecilius Epirotamade antiquity wherever hima traditional school text secular in or education around survived. 26 BC ...
... Aeneid, held a central position in the schools of grammar and an important one in the schools of rhetoric from the time Caecilius Epirotamade antiquity wherever hima traditional school text secular in or education around survived. 26 BC ...
. lappuse
... Aeneid. 35 in verse, or even hexameter declamations derived Examples of poems deriving from Virgilian school exercises appear in the seventh collection is unknown. Anthologia codex to of Latina, the 38poems Salmasianus, This early 39 ...
... Aeneid. 35 in verse, or even hexameter declamations derived Examples of poems deriving from Virgilian school exercises appear in the seventh collection is unknown. Anthologia codex to of Latina, the 38poems Salmasianus, This early 39 ...
. lappuse
... Aeneid In this 5 reading, the term Locus Vergilianus denotes simply a passage with a Virgilian pedigree; but the ... Aeneid. The author of one set (AL 1 SB), which is preserved in the late antique codex Romanus (R, Vergilianus Vaticanus ...
... Aeneid In this 5 reading, the term Locus Vergilianus denotes simply a passage with a Virgilian pedigree; but the ... Aeneid. The author of one set (AL 1 SB), which is preserved in the late antique codex Romanus (R, Vergilianus Vaticanus ...
Saturs
The Medea | |
The De Panificio and De Alea | |
Omnia Iam Vulgata? Approaches to the Mythological Centos | |
The Cento Nuptialis | |
Conclusion | |
Notes | |
Bibliography | |
Index | |
Citi izdevumi - Skatīt visu
Virgil Recomposed: The Mythological and Secular Centos in Antiquity Scott McGill,Assistant Professor of Classical Studies Scott McGill,Virgile Ierobežota priekšskatīšana - 2005 |
Virgil Recomposed: The Mythological and Secular Centos in Antiquity Scott McGill Ierobežota priekšskatīšana - 2005 |
Virgil Recomposed: The Mythological and Secular Centos in Antiquity Scott McGill Fragmentu skats - 2005 |
Bieži izmantoti vārdi un frāzes
Admetus Aeneas Aeneid Alcestis Alea Alexander Riese allusions amor ancient anonymous appears in line atque audiences Ausonius Ausoniuss bride Carm Catullus cento composition cento form Cento Nuptialis centonist cites comic covert keyword criticism describes dicing Dido Didos diegesis discusses drama echoes Eclogues epic epistle Epithalamium Fridi Europa example Fridus genre Georgics Getas Medea Gratian haec Hippodamia Homeric Hosidius hymenaeis imitation interpretation intertextual Iudicium Paridis Jason late antiquity Latin literary ludic Luxurius Luxuriuss Mavortius Medea microtextual mihi mythological and secular mythological centos Narcissus narrative nunc Ovid Ovids Panificio parody patchwork poems Philomela poet poetic praef Proba quae quid Quintilian readers reading reuse rhetorical Roman secular centos semantic Seneca Statius story suggests Tertullian texts tragedy tragic University Press Valentinian Venus verbal verse units Virgil Virgils language Virgils poetry Virgilian Virgilian centos Virgilian lines Virgilian material Virgilian poetry Virgilian units wedding word