Rosamund Gray, essays, letters, and poemsW. P. Hazard, 1857 |
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1st Footman 1st Gent 1st Lady 2d Gent 2d Lady Allan beauty Belvil better character child Christ's Hospital Clare cottage creature dead dear death delight dizzard dream drink Elinor eye of mind eyes face fair fancy fear feel Gin Lane give grace grandmother Gray grief Hamlet Harry Freeman hath hear heart Hogarth honor humor images innocent John John Tomkins JOHN WOODVIL Kath Katherine Landlord leave live look Lovel Lucy Macbeth maid Marg Margaret melancholy Melesinda mind mirth mistress moral nature never night old lady Othello passion person play poet poor Rake's Progress Rosamund scene secret seems Selby servant Shakspeare sister smile sort soul speak spirit strange sweet Tamburlaine tears tell tender thee things thou thought tion virtue Waiter Widford Widow wife WILLIAM ROWLEY wonder Woodvil words young
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143. lappuse - Achilles' image stood his spear Grip'd in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined.
90. lappuse - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
281. lappuse - Closed are her doors on me, I must not see her All, all are gone, the old familiar faces. I have a friend, a kinder friend has no man ; Like an ingrate, I left my friend abruptly ; Left him, to muse on the old familiar faces.
177. lappuse - But man is a noble animal, splendid in ashes, and pompous in the grave, solemnizing nativities and deaths with equal lustre, nor omitting ceremonies of bravery in the infamy of his nature.
281. lappuse - THE OLD FAMILIAR FACES I HAVE had playmates, I have had companions In my days of childhood, in my joyful school-days ; All, all are gone, the old familiar faces.
292. lappuse - Jewel, Honey, Sweetheart, Bliss, And those forms of old admiring, Call her Cockatrice and Siren, Basilisk, and all that's evil, Witch, Hyena, Mermaid, Devil, Ethiop, Wench, and Blackamoor, Monkey, Ape, and twenty more; Friendly Trait'ress, loving Foe, Not that she is truly so, But no other way they know A contentment to express, Borders so upon excess, That they do not rightly wot Whether it be pain or not.
120. lappuse - Milton, as if personating one of the zealots of the old law, clothed himself when he sat down to paint the acts of Samson against the uncircumcised. The great obstacle to Chapman's translations" being read, is their unconquerable quaintness. He pours out in the same breath the most just and natural, and the most violent and crude expressions.
82. lappuse - It may seem a paradox, but I cannot help being of opinion that the plays of Shakespeare are less calculated for performance on a stage, than those of almost any other dramatist whatever.
307. lappuse - twere to tell, How with a nobler zeal, and warmer love, She served her heavenly master. I have seen That reverend form bent down with age and pain And rankling malady. Yet not for this Ceased she to praise her maker, or withdrew Her trust in him, her faith, and humble hope So meekly had she learn'd to bear her cross For she had studied patience in the school Of Christ, much comfort she had thence derived, And was a follower of the NAZARENE.
273. lappuse - WHEN maidens such as Hester die Their place ye may not well supply, Though ye among a thousand try With vain endeavour. A month or more hath she been dead, Yet cannot I by force be led To think upon the wormy bed And her together. A springy motion in her gait, A rising step, did indicate Of pride and joy no common rate That...