Twentieth Century Interpretations of Vanity Fair: A Collection of Critical Essays, 10. sējumsM. G. Sundell Prentice-Hall, 1969 - 123 lappuses A critical discussion of Thackeray's serio-comic exposure of society's weakness and corruption. |
No grāmatas satura
1.–3. rezultāts no 17.
25. lappuse
... Look at me and my banker's account . Look at your poor grandfather , Sedley , and his failure . And yet he was a better man than I was , this day twenty years — a better man , I should say , by ten thousand pound . " 11 Thackeray ...
... Look at me and my banker's account . Look at your poor grandfather , Sedley , and his failure . And yet he was a better man than I was , this day twenty years — a better man , I should say , by ten thousand pound . " 11 Thackeray ...
30. lappuse
A Collection of Critical Essays M. G. Sundell. 9 . : Amelia look tepid , tear sodden , and compromised : this effect would not occur if the book were soundly structured , if its compositional center ( what James called the " commanding ...
A Collection of Critical Essays M. G. Sundell. 9 . : Amelia look tepid , tear sodden , and compromised : this effect would not occur if the book were soundly structured , if its compositional center ( what James called the " commanding ...
38. lappuse
... look back mentally to the incidents in the hall outside Miss Crawley's sickroom , where son and father glare at each other , and where Becky comes to comfort them separately , holding each in suspense as to her amorous favor . And we look ...
... look back mentally to the incidents in the hall outside Miss Crawley's sickroom , where son and father glare at each other , and where Becky comes to comfort them separately , holding each in suspense as to her amorous favor . And we look ...
Saturs
Introduction by M G Sundell | 1 |
Vanity Fair by Arnold Kettle 51 15670 | 13 |
On Vanity Fair by Dorothy Van Ghent 53 | 27 |
Autortiesības | |
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action admire Amelia appears Becky Becky's becomes begins called chap chapter characters close comes contrast conventional course Crawley criticism Dobbin effect emotional English event example expressive eyes face fact father feel fiction Fielding force George give hand heart human husband illustrative important individual interest Jane kind Lady leave less Letters live London look Lord Steyne marriage married meaning method mind Miss moral mother narrative nature never novel novelist objective Osborne particular passage perhaps position present Press question Rawdon reader reality Rebecca relation relationships romance scene Sedley seems sense sentimental simple Sir Pitt social society Steyne story style successful suffering suggests tell Thackeray Thackeray's things thought tion tone true truth turns University values Vanity Fair whole wife woman writing young