Text: The Genealogy of an Antidisciplinary ObjectDuke University Press, 1992 - 245 lappuses The concept of textuality in recent decades has come to designate a fundamentally contested terrain within a number of academic disciplines. How it came to occupy this position is the subject of John Mowitt's book, a critical genealogy of the social and intellectual conditions that contributed to the emergence of the textual object. Beginning with theTel Quelgroup in France in the sixties and seventies, Mowitt's study details how a certain interdisciplinary crisis prompted academics to rethink the conditions of cultural interpretation. Concentrating on three disciplinary projects—literary analysis, film studies, and musicology—Mowitt shows how textuality's emergence called into question not merely the relations among these disciplines, but also the cultural logic of disciplinary reason as such. At once an effort to define "the text" and to explore and extend the theory of textuality, this book illustrates why the notion of interdisciplinary research has recently acquired such urgency. At the same time, by emphasizing the genealogical dimension of the textual object, Mowitt raises the issues of its "antidisciplinary" character, and by extension its immediate pertinence for the current debates over multiculturalism and Eurocentrism. Innovative, historically astute and theoretically informed, this important book will be indispensable reading for all scholars in literary and cultural studies. |
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Textuality and the Critique of Disciplinary Reason | 23 |
The Text Goes Pop | 48 |
Derridas Play | 83 |
Kristevas Productivity | 104 |
Barthess Pleasure | 117 |
The Textual Analysis of Film | 141 |
Toward the Textual Analysis of Music | 177 |
Textual Politics | 214 |
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academic Alexander Nevsky analytic antagonism antidisciplinary argue articulation Barthes's Bellour bliss Cahiers du cinéma called characterization cinema citation codes concept constituted context critical critique Debray defined Derrida diegetic disciplinary object disciplinary power discipline discourse discussion displacement domain dynamics effect Eisenstein elaboration embodied emergence enables essay explicitly fact film analysis film study filmic formulation Foucault framework gesture Grammatology Habermas historical insistence insofar institutional intellectual interdisciplinary intertextuality issue Jacques Derrida Julia Kristeva Kristeva language linguistic literary literature mass culture meaning metalanguage methodological Metz Metz's montage musicology narrative nevertheless notion of textuality organized paradigm particular perspective pleasure political position post-Marxism precisely problematic production public sphere reading refers Régis Debray Roland Barthes Ropars Ropars's semiological semiotic sense separation Sergei Eisenstein SHOT social sociogenesis space specifically Stoïanova structure struggle Tel Quel textual analysis textual model theoretical theory tion tradition trans underscore writing
Atsauces uz šo grāmatu
Writing Cogito: Montaigne, Descartes, and the Institution of the Modern Subject Hassan Melehy Ierobežota priekšskatīšana - 1997 |