IFP/Los Angeles Independent Filmmaker's ManualTaylor & Francis, 2012. gada 10. sept. - 323 lappuses Backed by the resources of Independent Feature Project/West, co-authors Nicole Shay LaLoggia and Eden H. Wurmfeld have written the definitive low-budget production manual. Using examples from the Swingers and Kissing Jessica Stein, this comprehensive manual offers the independent filmmaker a single volume reference covering every aspect of making a film: script rights and rewrites, financing, breakdown, scheduling and budgeting, pre-production, production, postproduction, and distribution. A resource guide listing useful references and organizations, as well as a glossary, complete this guide. The downloadable resources feature interviews with important figures in the independent film industry, including Billy Bob Thornton and Ang Lee. Forms that are illuminated in the text are also included on the downloadable resources for ease of use. |
No grāmatas satura
1.–5. rezultāts no 34.
... percent (5 percent) of one hundred percent (100 percent) of the net profits of the Picture to Owner for sole “Screenplay by” credit in connection with such picture. For the purposes hereof, “net profits” shall be defined, computed, and ...
... percent of the production budget. The purpose here is to agree beforehand so that no misunderstandings arise if you sell your “no-budget” film for $3 million. When a script is optioned, it gives the buyer the exclusive right to shop the ...
... percent (5 percent) of one hundred percent (100 percent) of the net profits of the Picture if Owner receives sole “Screenplay by'7 credit in connection with such picture, reducible to two and one-half percent (2 1/2 percent) of the net ...
... percent) percent of the initial royalty paid. C. MOW/Miniseries: $25,000 per hour pro rata. 6. Credit: Although this agreement is not subject to WGA jurisdiction, WGA credit determination standards shall be used in determining the ...
... percent of net profit or an executive producer credit and not have those cards to play when you need them down the line (for other talent, investors, or others). The option/purchase agree— ment will probably be the first in a long line ...
Saturs
Chapter 4 Breaking Down a Script | 35 |
Chapter 5 Scheduling | 51 |
Chapter 6 Budgeting | 75 |
Chapter 7 Preproduction | 213 |
Chapter 8 Production | 281 |
Chapter 9 Postproduction | 289 |
Chapter 10 Festivals and Distribution | 293 |
Chapter 11 A Final Word | 297 |
Resource Guide | 301 |
Glossary | 313 |
Index | 319 |
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IFP/Los Angeles Independent Filmmaker's Manual, Second Edition Eden H. Wurmfeld,Nicole Laloggia Ierobežota priekšskatīšana - 2012 |
IFP/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld,Nicole Shay LaLoggia Ierobežota priekšskatīšana - 2004 |
IFP/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld,Nicole Shay LaLoggia Priekšskatījums nav pieejams - 2004 |