IFP/Los Angeles Independent Filmmaker's ManualTaylor & Francis, 2012. gada 10. sept. - 323 lappuses Backed by the resources of Independent Feature Project/West, co-authors Nicole Shay LaLoggia and Eden H. Wurmfeld have written the definitive low-budget production manual. Using examples from the Swingers and Kissing Jessica Stein, this comprehensive manual offers the independent filmmaker a single volume reference covering every aspect of making a film: script rights and rewrites, financing, breakdown, scheduling and budgeting, pre-production, production, postproduction, and distribution. A resource guide listing useful references and organizations, as well as a glossary, complete this guide. The downloadable resources feature interviews with important figures in the independent film industry, including Billy Bob Thornton and Ang Lee. Forms that are illuminated in the text are also included on the downloadable resources for ease of use. |
No grāmatas satura
1.–5. rezultāts no 66.
... deal of time, energy, and passion in the script and may be not be happy, willing, or agreeable when you ask for certain changes. Explain that your motivation is financial. Once all changes have been made to the script, you will have ...
... deals we have made. Note that these are not “standard” included because they reflect the flexibility of the independent agreements. We have them filmmaking world. The terms of the option/purchase agreement are negotiable and should ...
... deal we made with a writer who wanted to direct and star in the film. We agreed as producers to do everything in our ... deals and agreements you will need to make. Do not give up too much of the pie at this early stage. As you will see ...
... deal, secure financing from a bank, or deliver your film to a distribution company, evidence of the chain of title will be required. At a minimum, you will have to provide a certificate of copyright, the option/ purchase agreement, and ...
... Deal If you can make a domestic production-distribution deal (P-D deal) with a company, the money you receive for domestic rights should cover from 40 to 60 percent of your budget. The more money the company gives you, the more creative ...
Saturs
Chapter 4 Breaking Down a Script | 35 |
Chapter 5 Scheduling | 51 |
Chapter 6 Budgeting | 75 |
Chapter 7 Preproduction | 213 |
Chapter 8 Production | 281 |
Chapter 9 Postproduction | 289 |
Chapter 10 Festivals and Distribution | 293 |
Chapter 11 A Final Word | 297 |
Resource Guide | 301 |
Glossary | 313 |
Index | 319 |
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IFP/Los Angeles Independent Filmmaker's Manual, Second Edition Eden H. Wurmfeld,Nicole Laloggia Ierobežota priekšskatīšana - 2012 |
IFP/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld,Nicole Shay LaLoggia Ierobežota priekšskatīšana - 2004 |
IFP/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld,Nicole Shay LaLoggia Priekšskatījums nav pieejams - 2004 |