IFP/Los Angeles Independent Filmmaker's ManualTaylor & Francis, 2012. gada 10. sept. - 323 lappuses Backed by the resources of Independent Feature Project/West, co-authors Nicole Shay LaLoggia and Eden H. Wurmfeld have written the definitive low-budget production manual. Using examples from the Swingers and Kissing Jessica Stein, this comprehensive manual offers the independent filmmaker a single volume reference covering every aspect of making a film: script rights and rewrites, financing, breakdown, scheduling and budgeting, pre-production, production, postproduction, and distribution. A resource guide listing useful references and organizations, as well as a glossary, complete this guide. The downloadable resources feature interviews with important figures in the independent film industry, including Billy Bob Thornton and Ang Lee. Forms that are illuminated in the text are also included on the downloadable resources for ease of use. |
No grāmatas satura
1.–5. rezultāts no 85.
... film Swingers. We strove to structure the manual so that it will read in chronological order as you make your movie. Because it is common that the line producer on an independent film Wears many hats and may also be the producer, we ...
... film, there are some important considerations to take into account that too often get overlooked. Making a movie requires a tremendous amount of hard work and a lot of money. The script is the fundamental building block to a successful film ...
... films can be made for this amount of money. It is the line producer's job to read through the script with an eye toward the budget. It is the line producer's job to make the film as true to the script as possible for the money available ...
... film in the event the picture went into production (paragraph 4). We also gave him the right to all rewrites if the film were to be produced (paragraph 7) and the right to first negotiation as the writer on any sequel or remake ...
... film can be one of the most trying and overwhelming periods of the filmmaking process. It is important to remain open to various options and to not cling to a specific idea of how you want to get your film made. DANCING WITH A DOUBLE ...
Saturs
Chapter 4 Breaking Down a Script | 35 |
Chapter 5 Scheduling | 51 |
Chapter 6 Budgeting | 75 |
Chapter 7 Preproduction | 213 |
Chapter 8 Production | 281 |
Chapter 9 Postproduction | 289 |
Chapter 10 Festivals and Distribution | 293 |
Chapter 11 A Final Word | 297 |
Resource Guide | 301 |
Glossary | 313 |
Index | 319 |
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IFP/Los Angeles Independent Filmmaker's Manual, Second Edition Eden H. Wurmfeld,Nicole Laloggia Ierobežota priekšskatīšana - 2012 |
IFP/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld,Nicole Shay LaLoggia Ierobežota priekšskatīšana - 2004 |
IFP/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld,Nicole Shay LaLoggia Priekšskatījums nav pieejams - 2004 |