Lapas attēli
PDF
ePub

Control

Words, 189, Verse and Controversy, 361

Moody, M. E., In Harold Bell Wright's Mail, 341
Moore, George, Improves His Style, 290
Mosher, John Chapin, Willa Cather, 528
National Publications, 356, 411

Necessary Revisions, 356

Necrology, 36, 68, 134, 210, 273, 336, 394, 428, 474, 526,
565, 609

News and Notes, 35, 68, 134, 209, 272, 335, 393, 428, 474.

525, 564, 608

Oppenheim, James, Why I Gave Up Being a Suc-

cessful Story Writer, 213

Oppenheimer, George, What the Young Publisher

Warts, 219

Originality and Ingenuity, Wheelock, 95, 165

Page, O. F., About the Thumb-Nail Classic Con-
test. 377

Parsons, Kitty, Writing for Children, 225

Payne, Will, Paradise Island, 80

Pedrose, Lawrence W., 275

Pen vs. Typewriter, 276

Periodicals, Mortality among, De Bell, 17

Perry, Edward, Preparing Manuscripts, 17, About
Unborn Words, 192

Photoplay Markets, A California Agent on the,
D'Orsay, 320

Photostat Copying in Library Research, 29
Playwriting, Training for, White, 573

Poetry, The Technique of Modern, Hillyer, 69, 137,
229, 299, 358, 502, 535

Poole, Ernest, Nat Goodwin and a Publisher, 291

Porter, Harold E., Is It Wise to Use a Pseudonym,

58, Authors' Doubles, 311

Prize Contests, Johnson, 362

Prize Offers and Awards, 23, 62, 116, 200, 266, 328,

382, 423, 469, 516, 559, 598

Proof, Galley, Edith Wharton Corrects, 76
Proofs, Correcting, Jacobs, 191

Pseudonym, Is It Wise to Use a, Bosher, 56,
Jameson, 56, Armstrong, 56, Aldrich, 57, Burr. 57,
Sinclair-Cowan, 58, Porter, 58, Long, 59, Ben-
jamin, 59, Gordon, 59, Block, 60

Publisher, Nat Goodwin and a, Poole, 291

Publisher Wants, What the Young, Oppenheimer, 219

Publishers, Spoofing the, 276

Quiller Couch, Arthur, On Jargon, 577

Ray, Louis Duncan, Advertising as a Training for

Fiction Writing, 260, The Art of Contrasting

Variation, 546

The Market, 29

[blocks in formation]

Sherwood, Margaret, The Clearest Voice, 1

Short Story, The, Gallishaw, 542

Short Story, The, Richardson, 399

Sick 'Em, Armbruster, 552

Sinclair, Upton, Authors' Doubles, 310

Sinclair-Cowan, Bertha M., Is It Wise to Use a
Pseudonym, 58

Stevens, Beulah Rose, Ab Initio, 464

Story Writer, Why I Gave Up Being a Successful,
Oppenheim, 213

Style and Vocabulary Test, 584

Swift, Ivan, Rhymes or Near-Rhymes, 16
Talks on Practical Authorship, Kimball, 11, 51
Thompson, L. J., A Roast for the Scenario Writers, 376
Thompson, William R., Breaking Unwittingly into

Print, 375

Thoreau, Henry David, Selection from "On Style," 591
Trimingham, G. Haines, What is There in News-
paper Training? 122

Uzzell, Thomas H., The Novel, 169

van Loon, Henrik Willem, Authors' Doubles, 309
Verse and Controversy, Rappan, 319, Mitchell, 361
Waite, Helen E., Keeping Track of Manuscripts, 191
Watt, J. M., The Mid-West Writer, 188
Weather Eye, The, Winston, 234
Westcott, Nell C., Inspiration and Jiggers, 377
Wheelock. John F., Originality and Ingenuity, 95,
165, Wendy Renner Sees It Through, 303, Miss
Cather Recounts an Endurance Test, 532

White, Corning, Training for Playwriting, 573

Whitehead, Henry S., Certain Mechanical Aids for
the Writer, 118. Two Practical Hints, 224, The
Happy Ending, 366, Litrachoor, 461

Williams, Ben Ames, Solitude, 37, The Function of
the Literary Agent, 395

Willsie, Honoré, 194

Wilson, Leila Weekes, Why "Gesture" for "Sug-
gestion"? 17

Winston, Annie Steger, The Weather Eye, 234

Wright, Harold Bell, In His Mail, Moody, 341

Writer, Certain Mechanical Aids for the, White-

head, 118

Writer's Thumb-Nail Biographies, The, 295, 354,
406, 435

Writer's Thumb-Nail Classic Contest, The, 221, 377
Writers, Lottery Laws Affecting, McDaniel, 323
Writers of the Day, 25, 273

Writing, Make It Pay, Canopy, 294

Writing for the Millions, Farrar, 281

Writing for Children, Parsons, 225

[blocks in formation]
[merged small][subsumed][merged small][graphic][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed][subsumed]

THE WRITER'S DIRECTORY OF PERIODICALS

THE fourth printing of this Directory-which is constantly being revised and enlarged began in THE WRITER jor July, 1922. The information for it, showing the manuscript market and the manuscript requirements of the various publications listed, is gathered directly from the editors of the periodicals. Great pains are taken to make the information accurate and the Directory complete.

Before submitting manuscripts to any publication, it is advisable to secure a sample copy.

(Continued from December WRITER) MAGNIFICAT (M), Manchester, N. H. $2.00; 20c. Sisters of Mercy, editors.

Has a regular staff, but is always ready to consider matter of exceptional value. Prefers tales of American life, preferably with Roman Catholic atmosphere. Uses serials, novelettes, short stories, poetry, humorous prose, plays, juvenile matter, and general matter-in short, anything of interest to the Roman Catholic reading public. Sets length limits at from 1,500 to 5,000 words; buys photographs only for special needs; and pays on acceptance. MAGNET: A MAGAZINE OF THE NORTHWEST (M), 212 Marion st., Seattle, Washington.

No longer published.

MAILBAG (M), 314 Caxton Building, Cleveland,
Ohio. $1.00; 10c. Leonard W. Smith, editor.

Devoted to mail advertising, and uses only special articles on the subject of direct-mail advertising. Unless writers have had practical experience in this field, or can accurately translate the actual experiences of others, there is little chance of their material being available. Prefers articles of from 1,000 to 2,500 words, and sets 5,000 words as an outside limit. Pays before publication.

MAIL ORDER ADVERTISING (M), 15 East Huron st.,
Chicago, Ill. $1.00; 10c. Edgar S. Bradley, editor.

Using only articles on advertising or selling
through mail order methods, setting length limit
at 1,200 words. Prints no fiction, does not buy
photographs, and pays on publication.
MAINE FARMER (W), Augusta, Maine, $1.50; 3c.
Harold E. Ward, editor.

Publication suspended with the issue of July 26, 1925.

MARKET GROWER'S JOURNAL (S-M), Louisville,
Kentucky. Sam W. Sweeney, editor.

A publication devoted solely to commercial vegetable growing and marketing, setting length limit at 2,000 words, and paying after publication.

MARRIAGE (M), 220 West Jefferson st., Bloomington,
Ill. Ernest Sherwood, editor.

Publication discontinued, and mail returned by the post office.

MARRIAGE STORIES (M), Dell Publishing Co., 46 West 24th st., New York.

Title changed to TRUE MARRIAGE STORIES.

MAYFLOWER (W), Pilgrim Press. Boston, Mass. 40c.
Frances Weld Danielson, 200 Main st., Danielson,
Conn., editor.

An illustrated four-page paper for the younger children in the Congregational Sunday School. Uses stories and verse for children of from five to eight years. Sets length limit at 800 words, and pays upon acceptance, or shortly after. All manuscripts should be sent to the editor. MEASURE (M), 223 West 15th st., New York. $2.50; 25c. E. Merrill Root, editor; L. W. Hubbell, business manager.

Prints poetry and articles on poetry; does not pay for unsolicited manuscripts.

MELODY (M), 120 Boylston st., Boston. $1.50; 15c. Lloyd Loar, editor; C. V. Buttelman, managing editor.

A magazine for photoplay musicians and the musical home, catering largely to photoplay organists and pianists and to lay music lovers. Material largely furnished by staff writers, but occasionally buys articles dealing with subjects mentioned. Pays on publication.

MENORAH JOURNAL (B-M), 167 West 13th st., New
York. $2.00; 35c. Henry Hurwitz, editor.

Uses short stories, essays, and one-act plays,
all suited to Jewish readers. Pays on acceptance.
MENTOR (M), Crowell Publishing Co., 250 Park ave.,
New York. $4.00; 35c. William D. Moffat, editor.

The Mentor is not a regular magazine, but a course in popular education, and does not accept general contributions. Schedules are made out a year in advance on topics in the departments of art, history, literature, travel, nature, etc., and articles are prepared by authorities on these subjects.

METRONOME (M), 42 Cooper Square, New York. $4.00; 25c. Gustav Saenger, editor; D. K. Antrim, assistant editor.

Uses educational, instructive articles on the orchestra and band, both general and juvenile, for the music teacher, student, and music lover. Sets length limit at from 500 to 2,000 words. Pays on publication.

MICHIGAN BUSINESS FARMER (B-W), Mt. Clemens,
Michigan. 60c. Milton Grinnell, managing editor.

Devoted to agriculture mostly in Michigan and of interest to the farmers in this state. Uses articles on economics and occasional general articles, short stories, and serials, setting length limit for single stories at 2,000 words. Buys radio department matter, and all kinds of matter regarding farming, buys photographs; prefers rural fiction, and pays at the rate of onehalf cent a word.

CONTINUED ON INSIDE BACK COVER

[ocr errors][merged small][merged small][merged small][merged small][merged small][merged small][merged small]

"THE CLEAREST VOICE"

A story by MARGARET SHERWOOD analyzed
by JOHN GALLISHAW

IN the October number appeared the first of a series of
short stories, each analyzed primarily as a "case," illus-
trating some special phase of craftsmanship. Since then
many people have written to me or to the editor of THE
WRITER pointing out certain failings within the stories
examined. I take this opportunity of saying again that I
do not maintain that any story which I select is in all
respects a perfect story. I select it primarily to show how
a competent craftsman has met and solved some special
structural or artistic problem. Miss Sherwood's story I am
considering primarily as setting a high standard in that
phase of craftsmanship which, for want of a better phrase,
I shall call "The Grading for the Dénouement."

BY PERMISSION OF MISS SHERWOOD AND THE EDITOR OF THE ATLANTIC MONTHIY

[blocks in formation]

17 63

beauty; and, as he climbed the hill, the 15 | 61
deepening color in the sunset clouds, and 16 62
the notes of a wood thrush from the forest
edge not far away, became part of a deep
sense of harmony, breaking a mood of
anxiety and fear.

Then came the comforting glimpse of the red brick house through the encompassing green, with its white daintiness of porch, fan-window, and window facings. It all looked like her; in its serene and simple distinction it seemed to embody her; her creative touch was everywhere. The bay window, about which they had disagreed when the house was planned, had, surprisingly, turned out to the liking of both; as he fumbled at the latch of the gate, and pinched his finger as he always did, a vexed sense of triumph came to him, for it surely would have worked better if he had insisted on having his own way! Everywhere were traces of little worries and little triumphs, the latter predominating. It was the very soul of home, from the threshold to the branches of the tall elm that touched the roof protectingly; it was wholly desirable, and it might have to go.

he

As he followed the brick walk, in bitterness he closed his eyes that he might not see, and so ran into a porch pillar, the one on which Alice's red roses were blossoming; the queer little groan that he gave in some strange way took on the sound of 'Railroads!' and again 'railroads!' as beat his head against the pillar once or twice purposely; and his voice had a note of contempt. He had not felt that way about railroads when he had invested his savings, partly in the stock of a new railroad in the West, partly in the stock of an old railroad in the East that was doing wild things in the way of improvements. Then there had been nothing too good for him to say about the earning power of railroads, the wise management of rail

18 64 19 65

20 66

21

22

23

24

25

26

27

67

68

69

70

71

72

73

28 74

29

30

31

75

76

77

32 78

33

34

35

35

36

37

38

79

80

81

82

83

84

39 85

roads, the net profits of railroads. Now, both railroads were in trouble; dividends were cut, and the stock which he had hoped to sell at a profit had dropped almost to zero; the mortgage loan on his house was due in a month; and he, a man earning only a moderate salary in a realestate office, had nothing in the world wherewith to meet the emergency. Even the savings-bank deposit had gone into railroad stock, in order that the mortgage might be paid off more quickly.

But his face lighted up with a smile both sad and bright that made quite a different face of it as he crossed the threshold, that threshold on which Alice had stopped to kiss him the day he had married her and brought her home. There was something

here that shut out all the trouble in the universe: about the doorway his wife's laughter seemed to be always floating,that laughter, merry, touched with tenderness, made up of mirth and sorrow, as all wise laughter is. Just then came little Jack to meet him, speeding madly down the 40 86 baluster; and John, as he picked up his boy, kissed him, and reproved him for 88 coming downstairs that way, had nothing to answer, when his son averred that it was lots better than a railroad, save 'That 45 91 might well be.'

[blocks in formation]

'There's ice cream for dinner,' the boy exploded; and the father, roughly smoothing Jack's tousled hair, started as he caught a sound of chatter from the livingroom, and stood still in dismay. That today of all days should be the time of the family gathering which brought two uncles, two aunts, and three cousins to the house! 100 How completely he had forgotten! He 55 101 hung up his hat and grasped little Jack's 56 102 hand; he would tell them nothing about 103 his troubles, nothing; he would be the ideal 58 104 host, concealing his personal vexations 59 105 under a cordial smile.

53 99

54

57

60 106 But hardly had he opened the door, with

« iepriekšējāTurpināt »