Virgil Recomposed: The Mythological and Secular Centos in AntiquityOxford University Press, USA, 2005. gada 28. jūl. - 231 lappuses The Virgilian centos anticipate the avant-garde and smash the image of a staid, sober, and centered classical world. This book examines the twelve mythological and secular Virgilian centos that survive from antiquity. The centos, in which authors take non-consecutive lines or segments of lines from the Eclogues, Georgics, and Aeneid and reconnect them to produce new poems, have received limited attention. No other book-length study exists of all the centos, which date from ca. 200 to ca. 530.The centos are literary games, and they have a playful shock value that feels very modern. Yet the texts also demand to be taken seriously for what they disclose about late antique literary culture, Virgil's reception, and several important topics in Latin literature and literary studies generally. As radically intertextual works, the centos are particularly valuable sites for pursuing inquiry into allusion. Scrutinizing the peculiarities of the texts' allusive engagements with Virgil requires clarification of the roles of the author and the reader in allusion, the criteria for determining what constitutes an allusion, and the different functions allusion can have. By investigating the centos from these different perspectives and asking what they reveal about a wide range of weighty subjects, this book comes into dialogue with major topics and studies in Latin literature. |
No grāmatas satura
1.–3. rezultāts no 35.
51. lappuse
... calls on the gods of wedlock , Lucina , Minerva , Poseidon , Hecate , Pluto , Proserpina , and the Furies to open the prologue of his drama ( 1–18 ) . The placement of the parallel passages at the beginning of the dramas indicates that ...
... calls on the gods of wedlock , Lucina , Minerva , Poseidon , Hecate , Pluto , Proserpina , and the Furies to open the prologue of his drama ( 1–18 ) . The placement of the parallel passages at the beginning of the dramas indicates that ...
194. lappuse
... calls Virgil a felix auctor ( Tr . 2.533 ) . Thus while Ovid expresses bitterness at how he has been treated as opposed to how Virgil was treated , he still refuses to criticize Virgil himself . 56. As Rose notes , Parody , 47 . 57. The ...
... calls Virgil a felix auctor ( Tr . 2.533 ) . Thus while Ovid expresses bitterness at how he has been treated as opposed to how Virgil was treated , he still refuses to criticize Virgil himself . 56. As Rose notes , Parody , 47 . 57. The ...
203. lappuse
... calls attention to how common such statements about the Dido - Aeneas story are . I hope that my approach , which is concerned with how the different possibilities for interpreting the Dido - Aeneas story affect the allusiveness of a ...
... calls attention to how common such statements about the Dido - Aeneas story are . I hope that my approach , which is concerned with how the different possibilities for interpreting the Dido - Aeneas story affect the allusiveness of a ...
Saturs
Writing and Reading | 1 |
The Medea | 31 |
The De Panificio and De Alea | 53 |
Autortiesības | |
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Virgil Recomposed: The Mythological and Secular Centos in Antiquity Scott McGill,Assistant Professor of Classical Studies Scott McGill,Virgile Ierobežota priekšskatīšana - 2005 |
Virgil Recomposed: The Mythological and Secular Centos in Antiquity Scott McGill Ierobežota priekšskatīšana - 2005 |
Virgil Recomposed: The Mythological and Secular Centos in Antiquity Scott McGill Ierobežota priekšskatīšana - 2005 |
Bieži izmantoti vārdi un frāzes
Admetus Aeneas Aeneid Alcestis Alea Alexander Riese allusions amor ancient appears in line atque audiences Ausonius bride Carm Catullus cento composition cento form Cento Nuptialis centonist cites comic covert keyword criticism describes dicing Dido Dido's diegesis discusses drama echoes Eclogues epic epistle Epithalamium Fridi Europa example Fridus genre Georgics Geta's Medea Gratian haec Hippodamia Hosidius hymenaeis imitation interpretation intertextual Iudicium Paridis Jason late antiquity Latin literary ludic Luxurius Luxurius's Mavortius Medea microtextual mihi mythological and secular mythological centos Narcissus narrative nunc oculos Ovid Ovid's Panificio parody patchwork poems patchwork texts Philomela poet poetic praef Proba quae quid Quintilian readers reading reference reuse rhetorical Roman scene secular centos semantic Seneca Silv Statius story suggests Tertullian tragedy tragic University Press Venus verbal verse units Virgil Virgil's language Virgil's poetry Virgilian centos Virgilian lines Virgilian material Virgilian poetry Virgilian units wedding word
Atsauces uz šo grāmatu
The Medieval World of Isidore of Seville: Truth from Words John Henderson Ierobežota priekšskatīšana - 2007 |