No grāmatas satura
1.3. rezultāts no 82.
18. lappuse
The beginning novelist generally does not have the skill needed to extract what's essential , what is central to the real - life story he wants to tell . He may know what happened but he may not know why . He may know the sequence of ...
The beginning novelist generally does not have the skill needed to extract what's essential , what is central to the real - life story he wants to tell . He may know what happened but he may not know why . He may know the sequence of ...
20. lappuse
а I found my thread it was there all the time , just hidden under all the other snippets one must twist into a plot line , especially at the beginning . It consisted of a slight shift of emphasis , and an immediate objective for my ...
а I found my thread it was there all the time , just hidden under all the other snippets one must twist into a plot line , especially at the beginning . It consisted of a slight shift of emphasis , and an immediate objective for my ...
18. lappuse
However , the question does not seem foolish , when considered from the standpoint of the beginning writer who feels frustrated and often desperate and bewildered . To him , writing and publishing are enigmas indeed .
However , the question does not seem foolish , when considered from the standpoint of the beginning writer who feels frustrated and often desperate and bewildered . To him , writing and publishing are enigmas indeed .
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Saturs
The Writer 0 | 6 |
phasize too strongly the importance of knowing | 15 |
THE POETs WORKSHOP | 23 |
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Bibliogrāfiskā informācija
| Nosaukums | The Writer, 83. sējums |
| Redaktori | William Henry Hills, Robert Luce |
| Izdevējs | The Writer, 1970 |
| Oriģināls no | Mičiganas universitāte |
| Digitalizēta | 16.6.2010 |
| Eksportēt avotu | BiBTeX EndNote RefMan |