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Now today and tomorrow we will hear testimony of witnesses on selected copyright issues, concerning which there have been developments since the previous hearings. There are a number of other controversial issues in this legislation and these will be further reviewed by the subcommittee as the bill is processed.

Mr. Counsel, do you have any statement before we proceed?

Mr. BRENNAN. Yes, I do, Mr. Chairman. I request at this time that the notice of this hearing to be followed by the text of the bill, S. 1361, be printed in the record.

Senator MCCLELLAN. The notice of the hearing and a copy of S. 1361, the bill under consideration will be printed in the record at this point. [The notice of the hearing and a copy of the bill, S. 1361, follow:]

[Congressional Record-Senate, July 10, 1973]

NOTICE OF HEARINGS ON S. 1361

Mr. MCCLELLAN. Mr. President, as chairman of the Subcommittee on Patents, Trademarks and Copyrights I previously announced that the subcommittee would reopen the hearings on legislation for the general revision of the copyright law, S. 1361, to receive additional testimony on selected issues.

The dates and issues of the hearings are as follows: July 31, morning-library photocopying; July 31, afternoon-general educational exemptions; August 1, morning-cable television royalty schedule; August 1, afternoon-carriage of sporting events by cable television, and August 1, afternoon-religious broadcasting exemption.

The hearings will commence each day at 10 a.m. and 2 p.m. in room 1114 of the Dirksen Senate Office Building.

The subcommittee will allocate time to the principal representatives of the various points of view on each issue. Those who cannot be accommodated during the hearings may submit written statements for inclusion in the record.

Those who desire additional information should contact the staff of the subcommittee at 225-2268.

93D CONGRESS 18T SESSION

S. 1361

IN THE SENATE OF THE UNITED STATES

MARCH 26, 1973

Mr. MCCLELLAN introduced the following bill; which was read twice and referred to the Committee on the Judiciary

A BILL

For the general revision of the Copyright Law, title 17 of the United States

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Code, and for other purposes.

Be it enacted by the Senate and House of Representatives of the

2 United States of America in Congress assembled,

TITLE I-GENERAL REVISION OF COPYRIGHT LAW

SEC. 101. Title 17 of the United States Code, entitled "Copyrights,"

is hereby amended in its entirety to read as follows:

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7 Chapter 1.-SUBJECT MATTER AND SCOPE OF COPYRIGHT

Sec.

101. Definitions.

102. Subject matter of copyright: In general.

103. Subject matters of copyright: Compilations and derivative works.

104. Subject matter of copyright : National origin.

105. Subject matter of copyright: United States Government works.

106. Exclusive rights in copyrighted works.

107. Limitations on exclusive rights: Fair use.

108. Limitations on exclusive rights: Reproduction by libraries and archives.

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TITLE 17-COPYRIGHTS—Continued

Chapter 1.-SUBJECT MATTER AND SCOPE OF

COPYRIGHT-Continued

109. Limitations on exclusive rights: Effect of transfer of particular copy or phonorecord.

110. Limitations on exclusive rights: Exemption of certain performances and

displays.

111. Limitations on exclusive rights: Secondary transmissions.

112. Limitations on exclusive rights: Ephemeral recordings.

113. Scope of exclusive rights in pictorial, graphic, and sculptural works.

114. Scope of exclusive rights in sound recordings.

115. Scope of exclusive rights in nondramatic musical works: Compulsory license for making and distributing phonorecords.

116. Scope of exclusive rights in nondramatic musical works and sound recordings: Public performances by means of coinoperated phonorecord players. 117. Scope of exclusive rights: Use in conjunction with computers and similar information systems.

§ 101. Definitions

As used in this title, the following terms and their variant forms mean the following:

An "anonymous work" is a work on the copies or phonorecords of which no natural person is identified as author.

"Audiovisual works" are works that consist of a series of related images which are intrinsically intended to be shown by the use of machines or devices such as projectors, viewers, or electronic equipment, together with accompanying sounds, if any, regardless of the nature of the material objects, such as films or tapes, in which the works are embodied.

The "best edition" of a work is the edition, published in the United States at any time before the date of deposit, that the Library of Congress determines to be most suitable for its purposes. A person's "children" are his immediate offspring, whether legitimate or not, and any children legally adopted by him.

A "collective work" is a work, such as a periodical issue, anthology, or encyclopedia, in which a number of contributions, constituting separate and independent works in themselves, are assembled into a collective whole.

A “compilation” is a work formed by the collection and assembling of pre-existing materials or of data that are selected, coordinated, or arranged in such a way that the resulting work as a whole constitutes an original work of authorship. The term "compilation" includes collective works.

"Copies" are material objects, other than phonorecords, in which a work is fixed by any method now known or later developed, and from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or

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device. The term "copies" includes the material object, other than a phonorecord, in which the work is first fixed.

"Copyright owner," with respect to any one of the exclusive rights comprised in a copyright, refers to the owner of that particular right.

A work is "created" when it is fixed in a copy or phonorecord for the first time; where a work is prepared over a period of time, the portion of it that has been fixed at any particular time constitutes the work as of that time, and where the work has been prepared in different versions, each version constitutes a separate work.

A "derivative work" is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications which, as a whole, represent an original work of authorship, is a "derivative work."

A "device," "machine," or "process" is one now known or later developed.

To "display" a work means to show a copy of it, either directly or by means of a film, slide, television image, or any other device or process or, in the case of a motion picture or other audiovisual work, to show individual images nonsequentially.

A work is "fixed" in a tangible medium of expression when its embodiment in a copy or phonorecord, by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is “fixed” for purposes of this title if a fixation of the work is being made simultaneously with its transmission.

The terms "including" and "such as" are illustrative and not limitative.

A "joint work" is a work prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole.

"Literary works" are works other than audiovisual works, expressed in words, numbers, or other verbal or numerical sym

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bols or indicia, regardless of the nature of the material objects, such as books, periodicals, manuscripts, phonorecords, or film, in which they are embodied.

A transmitting organization's "local service area" is defined in accordance with the provisions of section 111 (f) (2) (C). "Motion pictures” are audiovisual works consisting of a series of related images which, when shown in succession, impart an impression of motion, together with accompanying sounds, if any.

To "perform" a work means to recite, render, play, dance, or act it, either directly or by means of any device or process or, in the case of a motion picture or other audiovisual work, to show its images in any sequence or to make the sounds accompanying it audible, and, in the case of a sound recording, to make audible the sounds fixed in it.

"Phonorecords" are material objects in which sounds other than those accompanying a motion picture or other audiovisual work, are fixed by any method now known or later developed, and from which the sounds can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term "phonorecords" includes the material object in which the sounds are first fixed.

"Pictorial, graphic, and sculptural works" include two-dimensional and three-dimensional works of fine, graphic, and applied art, photographs, prints and art reproductions, maps, globes, charts, plans, diagrams, and models.

A "pseudonymous work" is a work on the copies or phonorecords, of which the author is identified under a fictitious name. "Publication" is the distribution of copies or photorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display, constitutes publication.

To perform or display a work "publicly" means:

(1) to perform or display it at a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered;

(2) to transmit or otherwise communicate a performance or display of the work to a place specified by clause (1) or to

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