Video and Audio Home Taping: Hearing Before the Subcommittee on Patents, Copyrights, and Trademarks of the Committee on the Judiciary, United States Senate, Ninety-eighth Congress, First Session on S. 31 ... and S. 175 ... October 25, 1983U.S. Government Printing Office, 1984 - 525 lappuses |
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1.–5. rezultāts no 52.
54. lappuse
... asking merely to share in the new markets and new profits without which these technologies would not prosper nor these markets be created . Senate Bill 31 represents continuation of the historical adaptation of the copy- right law . It ...
... asking merely to share in the new markets and new profits without which these technologies would not prosper nor these markets be created . Senate Bill 31 represents continuation of the historical adaptation of the copy- right law . It ...
82. lappuse
... asked by the RIAA to design and ex- ecute a research project which had as its major objectives , No. 1 , estimating the amount of home recording of copyrighted material that takes place annually in the United States ; No. 2 , measuring ...
... asked by the RIAA to design and ex- ecute a research project which had as its major objectives , No. 1 , estimating the amount of home recording of copyrighted material that takes place annually in the United States ; No. 2 , measuring ...
83. lappuse
... asked for each taping event whether or not they would have purchased a record or prerecorded tape if they had been unable to make the home record- ing . Their direct testimony indicates that they would have pur- chased at the annual ...
... asked for each taping event whether or not they would have purchased a record or prerecorded tape if they had been unable to make the home record- ing . Their direct testimony indicates that they would have pur- chased at the annual ...
84. lappuse
... asked - in connection with . each taping event - whether or not they would have purchased a record or prere- corded tape if they had been unable to make a home recording . Their direct testimo- ny indicates that they would have ...
... asked - in connection with . each taping event - whether or not they would have purchased a record or prere- corded tape if they had been unable to make a home recording . Their direct testimo- ny indicates that they would have ...
85. lappuse
... asked the respondents about the uses of all blank tapes that they had pur- chased ( with the sole exception of microcassettes ) . In fact , two respondents did men- tion using tapes for home computers . Overall , however , the ...
... asked the respondents about the uses of all blank tapes that they had pur- chased ( with the sole exception of microcassettes ) . In fact , two respondents did men- tion using tapes for home computers . Overall , however , the ...
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advertising Alan Greenspan American Arbitration Board artists audio home recording audio home taping audio recording audiovisual Audits & Surveys Betamax blank tape broadcast Chairman clause commercial Committee compensation compulsory license Congress consumers copy Copyright Act copyright infringement copyright law copyright owners copyrighted material cost Court creative David Ladd determination distribution economic estimate exemption fair film harm home audio taping Home Recording Act home video home-taping Jack Valenti legislative liability machine motion picture MPAA music taping negotiation non-copyrighted material off-the-air percent playback prerecorded cassettes prerecorded music prerecorded tapes purchased record music record sales recording equipment recording industry respondents revenues RIAA royalty fees royalty tax sales of prerecorded section 107 Senator DECONCINI Senator MATHIAS songwriters sound recordings statement subsection tape recorders tapers television timeshifting tion United VALENTI VCR's video cassette recorders video tape videocassettes videotaping voluntary agreement
Populāri fragmenti
231. lappuse - ... the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 1817U.SC§ 106(1998). (2) the nature of the copyrighted work...
33. lappuse - Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.
128. lappuse - ... (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
231. lappuse - Notwithstanding the provisions of section 106, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
226. lappuse - ... literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly; and (5) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly...
32. lappuse - Report of the Register of Copyrights on the General Revision of the US Copyright Law...
226. lappuse - Subject to sections 107 through 118, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following: (1) to reproduce the copyrighted work in copies or phonorecords ; (2) to prepare derivative works based upon the copyrighted work; (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending...
485. lappuse - The true distinction is between the delegation of power to make the law, which necessarily involves a discretion as to what it shall be, and conferring authority or discretion as to its execution; to be exercised under and in pursuance of the law. The first cannot be done. To the latter no valid objection can be made.
276. lappuse - International Alliance of Theatrical Stage Employees and Moving Picture Operators of the United States and Canada, Local Union No.
136. lappuse - The immediate effect of our copyright law is to secure a fair return for an 'author's' creative labor. But the ultimate aim is, by this incentive, to stimulate artistic creativity for the general public good.