Media Law for ProducersTaylor & Francis, 2013. gada 11. febr. - 399 lappuses Media Law for Producers is a comprehensive handbook that explains, in lay terms, the myriad legal issues that the producer will face on a regular basis - contracts, permits, defamation, patents, releases and insurance, libel, royalties and residuals, as well as protecting the finished production. This revised and expanded edition includes such Internet-related topics as Internet music law, online registration, and online privacy. Other new topics covered include: · Implied and express contracts in the project/idea submission process · Assignment/transfer of copyright · Music clip licensing · Use of other people's trademarks in media production · Parody as a defense to copyright infringement Clear explanations examine the how and why of different types of production contracts, and checklists provide a quick means for producers to determine when their productions might be at greatest risk to legal challenges. Media Law for Producers also examines the substantial changes in copyright term resulting from recent copyright legislation. Legal problems can be very costly to media producers. Lawyers and court fees, coupled with the loss of work time, can lead to bankruptcy. Media Law for Producers cuts through the legalese and illustrates legal issues to help producers recognize the legal questions that can arise during production. |
No grāmatas satura
1.–5. rezultāts no 47.
ix. lappuse
... Signing Up: Becoming a SAG or APTRA Signatory 235 Reuse Fees and Residuals 240 Working with Guild Members When You Are Not a Signatory 243 Beyond APTRA and SAG 245 Summary 247 Going Multimedia: Legal Issues Related to Interactive ...
... Signing Up: Becoming a SAG or APTRA Signatory 235 Reuse Fees and Residuals 240 Working with Guild Members When You Are Not a Signatory 243 Beyond APTRA and SAG 245 Summary 247 Going Multimedia: Legal Issues Related to Interactive ...
2. lappuse
... signed releases from the employees who appeared in the program or the management consultants who had participated in the videotaped interviews. Newman put a great deal ofhis own time into the production, completing the final edits ...
... signed releases from the employees who appeared in the program or the management consultants who had participated in the videotaped interviews. Newman put a great deal ofhis own time into the production, completing the final edits ...
31. lappuse
... signed by you below, will form a binding agreement between you and Advanced Technologies, Inc. (the ”Company”). The Company otters to hire you as the voiceover narrator tor a training videotape currently titled ”Better Systems, Better ...
... signed by you below, will form a binding agreement between you and Advanced Technologies, Inc. (the ”Company”). The Company otters to hire you as the voiceover narrator tor a training videotape currently titled ”Better Systems, Better ...
32. lappuse
... signed by both parties. If you agree to the terms set forth above, please sign both copies in the space provided below and return one signed copy to me. Sincerely, Robert S. Hansen Advanced Technologies, Inc. AGREED AND ACCEPTED Jason ...
... signed by both parties. If you agree to the terms set forth above, please sign both copies in the space provided below and return one signed copy to me. Sincerely, Robert S. Hansen Advanced Technologies, Inc. AGREED AND ACCEPTED Jason ...
33. lappuse
... signed by the parties, the signed document serves as documentary proof of those obligations. That is why, even though oral contracts are considered valid under many circumstances, all media production contracts should be placed in ...
... signed by the parties, the signed document serves as documentary proof of those obligations. That is why, even though oral contracts are considered valid under many circumstances, all media production contracts should be placed in ...
Saturs
1 | |
29 | |
Sample Media Production Contracts | 51 |
Copyright Concerns During Media Production | 101 |
Permits Releases Libel and Production Insurance | 147 |
Special Concerns Surrounding the Use of Music in Media Productions | 193 |
7
Working with Guilds and Unions | 225 |
Legal Issues Related to Interactive Productions | 251 |
Protecting Your Finished Production | 303 |
Appendix A State and Provincial Film and Television Offices
| 361 |
Appendix B
Resources for Commissioning or Licensing Music | 367 |
Appendix C
Guilds Unions and Associations | 370 |
Glossary | 375 |
Bibliography | 383 |
Index | 387 |
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