Media Law for ProducersTaylor & Francis, 2013. gada 11. febr. - 399 lappuses Media Law for Producers is a comprehensive handbook that explains, in lay terms, the myriad legal issues that the producer will face on a regular basis - contracts, permits, defamation, patents, releases and insurance, libel, royalties and residuals, as well as protecting the finished production. This revised and expanded edition includes such Internet-related topics as Internet music law, online registration, and online privacy. Other new topics covered include: · Implied and express contracts in the project/idea submission process · Assignment/transfer of copyright · Music clip licensing · Use of other people's trademarks in media production · Parody as a defense to copyright infringement Clear explanations examine the how and why of different types of production contracts, and checklists provide a quick means for producers to determine when their productions might be at greatest risk to legal challenges. Media Law for Producers also examines the substantial changes in copyright term resulting from recent copyright legislation. Legal problems can be very costly to media producers. Lawyers and court fees, coupled with the loss of work time, can lead to bankruptcy. Media Law for Producers cuts through the legalese and illustrates legal issues to help producers recognize the legal questions that can arise during production. |
No grāmatas satura
1.–5. rezultāts no 31.
xxi. lappuse
... change in the law since the publication of the third edition was the passage, in 1998, of the Sonny Bono Copyright ... changes, Media Law for Producers will continue to serve as a practical guide for producers and other professionals ...
... change in the law since the publication of the third edition was the passage, in 1998, of the Sonny Bono Copyright ... changes, Media Law for Producers will continue to serve as a practical guide for producers and other professionals ...
xxii. lappuse
... change, however, and the manner in which particular laws and policies are interpreted and enforced can vary from time to time and case to case. In addition, no single volume can ever cover all of the laws, regulations, and policies that ...
... change, however, and the manner in which particular laws and policies are interpreted and enforced can vary from time to time and case to case. In addition, no single volume can ever cover all of the laws, regulations, and policies that ...
3. lappuse
... change their minds now that the program has the potential to generate revenues through outside sales. With no written releases or contracts, Newman would have no tangible evidence to support his contention that the pair agreed to ...
... change their minds now that the program has the potential to generate revenues through outside sales. With no written releases or contracts, Newman would have no tangible evidence to support his contention that the pair agreed to ...
11. lappuse
... changes or important social needs, case law can help fill in the gaps. In matters in which a clear injustice has occurred, or matters that involve new technological or scientific issues, the courts will first look to existing statutes ...
... changes or important social needs, case law can help fill in the gaps. In matters in which a clear injustice has occurred, or matters that involve new technological or scientific issues, the courts will first look to existing statutes ...
36. lappuse
... changes to drafts of contracts can be time consuming, many of these issues are often worked out in communications between the parties before preparing a full written draft. That way, once the written contract is sent to the offeree ...
... changes to drafts of contracts can be time consuming, many of these issues are often worked out in communications between the parties before preparing a full written draft. That way, once the written contract is sent to the offeree ...
Saturs
1 | |
29 | |
Sample Media Production Contracts | 51 |
Copyright Concerns During Media Production | 101 |
Permits Releases Libel and Production Insurance | 147 |
Special Concerns Surrounding the Use of Music in Media Productions | 193 |
7
Working with Guilds and Unions | 225 |
Legal Issues Related to Interactive Productions | 251 |
Protecting Your Finished Production | 303 |
Appendix A State and Provincial Film and Television Offices
| 361 |
Appendix B
Resources for Commissioning or Licensing Music | 367 |
Appendix C
Guilds Unions and Associations | 370 |
Glossary | 375 |
Bibliography | 383 |
Index | 387 |
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