Patterns in Thackeray's FictionM.I.T. Press, 1969 - 157 lappuses |
No grāmatas satura
1.–3. rezultāts no 11.
69. lappuse
... vision " of life . This vision is dis- cernible not only in that all his novels are more or less historical and are told from a position in time long after the facts related , but also in the continual shifting of temporal perspectives ...
... vision " of life . This vision is dis- cernible not only in that all his novels are more or less historical and are told from a position in time long after the facts related , but also in the continual shifting of temporal perspectives ...
88. lappuse
... vision . As we have seen , the argument of style , the point it makes , is that there is no escape from roles . Just as there is no single language that by itself can indicate the narrator's true role , there is no role that is somehow ...
... vision . As we have seen , the argument of style , the point it makes , is that there is no escape from roles . Just as there is no single language that by itself can indicate the narrator's true role , there is no role that is somehow ...
127. lappuse
... vision , his tolerance and accuracy , operate to produce a remarkably complex and balanced vision of human life . " 14 We are used to hearing that structure embodies a writer's vision , but Mr. Thale seems to be saying something else ...
... vision , his tolerance and accuracy , operate to produce a remarkably complex and balanced vision of human life . " 14 We are used to hearing that structure embodies a writer's vision , but Mr. Thale seems to be saying something else ...
Saturs
Introduction | 1 |
Chapter One Early Parody | 11 |
Chapter Two Developments from Parody | 29 |
Autortiesības | |
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Adeliza Amelia artistic Barry Lyndon Becky Becky's become called Carlyle chapter characters Charlotte Brontë Cinderella Clive Codlingsby Colonel comic complex conventions Crabs criticism curve of action Deuceace Dobbin Emily emotion Ethel example experience external father feel fiction gentleman George George Eliot Henry Esmond Henry James hero Ibid illusions interest James Jane Austen Jane Eyre joke Jonathan Wild kind language Laura letters literary literary realism look marriage marry means Miss Pinkerton's modes moral narrator narrator's Newcomes notion novel novelist parody pattern Pendennis perhaps perspectives plot position postures of wisdom Prize Novels question quixotism reader realism reality relation René Wellek role romance satire satirist scene seeming defeat seen self-exposure selfishness sense sentiment sequence shabby simply Smirke Snobbishness social story style sympathy Thackeray seems Thackeray's thematic thought Tom Jones triumph truth tyro Vanity Fair virtue vision worldly writer Yellowplush young