Patterns in Thackeray's Fiction

Adeliza Amelia artistic Barry Lyndon Becky Becky's become called Carlyle chapter characters Charlotte Brontë Cinderella Clive Codlingsby Colonel comic complex conventions Crabs criticism curve of action Deuceace Dobbin Emily emotion Ethel example experience external father feel fiction gentleman George George Eliot Henry Esmond Henry James hero Ibid illusions interest James Jane Austen Jane Eyre joke Jonathan Wild kind language Laura letters literary literary realism look marriage marry means Miss Pinkerton's modes moral narrator narrator's Newcomes notion novel novelist parody pattern Pendennis perhaps perspectives plot position postures of wisdom Prize Novels question quixotism reader realism reality relation René Wellek role romance satire satirist scene seeming defeat seen self-exposure selfishness sense sentiment sequence shabby simply Smirke Snobbishness social story style sympathy Thackeray seems Thackeray's thematic thought Tom Jones triumph truth tyro Vanity Fair virtue vision worldly writer Yellowplush young