Humanist Poetics: Thought, Rhetoric, and Fiction in Sixteenth-century England

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University of Massachusetts Press, 1986 - 529 lappuses
This important contribution to the study of English Renaissance culture redefines the humanist movement, employs humanist rhetoric in new ways, and argues that English fiction in the sixteenth century should be seen as a major genre with its own strategies for the imaginative artist. Arthur F. Kinney argues that the main purpose of Renaissance humanism was the cultivation and perfection of the individual and society by the use of rhetoric?by persuasion. Humanist poetics, then, is the poetics of rhetoric: the attempt to fashion the self or the reader by a fiction that employs rhetoric's means.

By tracing classical resources and the intertextuality of major English works from More's Utopia to Lodge's Rosalynde and Nashe's Unfortunate Traveller, Kinney not only locates basic Elizabethan habits of mind but also shows where the roots of the English novel may ultimately lie.

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Saturs

THE POETICS OF WORDPLAY
14
Thomas More and Utopia
57
Narrative Wordplay
89
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Par autoru (1986)

Arthur F. Kinney is Thomas W. Copeland Professor of Literary History at the University of Massachusetts Amherst.

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