ance, 164-Performance "for profit," 165-Works not reproduced, 166-Copy-
right notice, 166-Dramatico-musical works protected from mechanical reproduc-
tion, 166- Dramatic and musical works excepted from manufacturing provisions,
167 British colonial practice, 168 - Entry under proper class, 168 - Applica-
tion and certificates, 168 — Right of dramatization, 169 — Dramatization term,
169 Musical arrangements, 169 — Transposition, 170 — Works in the public
domain, 170 - Dramatization right protected, 170 - English law and practice,
171 — Infringement cases, 172 — Substantial quotations, 173 - Specific scenes
or situations, 174 — What is a dramatic composition, 174 — Judge Blatchford's
opinion, 175 — Judicial definitions, 175 - Moving pictures, 176 — Literary
merit not requisite, 177 - What is a dramatico-musical composition, 177 —
Protection of playright, 178 — Protection of unpublished work, 179 — Indeter-
minate protection, 180 - Printing and performance, 180- Specific English
provisions, 182 Publication prior to performance, 183 — British international
->protection, 184 — What is public performance, 185 Manuscript rights, 186 —
Unpublished orchestral score, 187 — Dramatic work by employee, 188 — Copy-
right term, 188-Registration, 189-Assignment, 189 - Parody, 190-Infringe-
ment by single situation, 191 Protection of title, 191 - Names of characters,
Protection against "fly by night"
Remedies under present law, 195 -
Acts of 1902-1906, 196 — Playright in
other countries, 197 — International provisions, 197 - Foreign protection of
arrangements, 197 — International definitions, 198 — National formalities, 199
Specific reservations and conditions, 200 Pan American Union, 201.
Mechanical music provisos, 202 Compulsory
The compromise