The Rhetorical Principles of NarrationHoughton Mifflin, 1911 - 279 lappuses |
No grāmatas satura
1.–5. rezultāts no 25.
xii. lappuse
... footnotes I have specified the various publishers who have cour- teously allowed the use of copyrighted matter . I take this opportunity also of expressing to my colleagues especially to Samuel E. Allen , M.A. and George xii INTRODUCTION.
... footnotes I have specified the various publishers who have cour- teously allowed the use of copyrighted matter . I take this opportunity also of expressing to my colleagues especially to Samuel E. Allen , M.A. and George xii INTRODUCTION.
39. lappuse
... expression of the connectives becomes a matter of effectiveness , rather than of mere clearness . Asyndeton is the name given to that figure of style in which the connectives between the various parts of sen- tences or between sentences ...
... expression of the connectives becomes a matter of effectiveness , rather than of mere clearness . Asyndeton is the name given to that figure of style in which the connectives between the various parts of sen- tences or between sentences ...
40. lappuse
... expressing a modal relation with some- thing of summarizing effect , joins the sentence to what precedes . Simplicity is the noteworthy characteristic of the style : the narrative details merely accumulate without suggestion of ...
... expressing a modal relation with some- thing of summarizing effect , joins the sentence to what precedes . Simplicity is the noteworthy characteristic of the style : the narrative details merely accumulate without suggestion of ...
44. lappuse
... expressing the idea existent in the mind of the writer . - Not to go too deeply into the mechanics of the sentence ... expression and suppression are the same within as between sentences . A narrative item constructed of sentences in ...
... expressing the idea existent in the mind of the writer . - Not to go too deeply into the mechanics of the sentence ... expression and suppression are the same within as between sentences . A narrative item constructed of sentences in ...
99. lappuse
... expressions are not ignorantly and fearlessly caught up , but , by some master , skilful in handling , yet insincere , deliberately wrought out with chill and studied fancy ; as if we should try to make an old lava stream look red - hot ...
... expressions are not ignorantly and fearlessly caught up , but , by some master , skilful in handling , yet insincere , deliberately wrought out with chill and studied fancy ; as if we should try to make an old lava stream look red - hot ...
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
acter action actors Adam Bede already appear artistic attitude background biography chapter char character characteristics characterization chronicle clear climax coherence color complete complication composition consideration constitute course culmination Cynegils Daniel Deronda definite dénouement device distinct dramatic setting effect elaboration elements emotional emphasis episode Esmond essential example exposition expository eyes fact fiction Flute and Violin George Eliot George Meredith Haman hand hero historian illustration imagination individual interest James Lane Allen James Moore literature Macaulay Marjorie Daw Martin Chuzzlewit matter method Naaman narration narrative writing nature novel Oakhurst occurrence paragraph passage personage personality picture plot structure point of view Poker Flat portrayal present principle purpose rative reader Reverend James Moore rhetorical scene secure sentence serve short-story Silas Marner Stone Face story successive Tess theme Thomas Hardy thought threads tion tive ultimate unity Vanity Fair various Violin words writer
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