Past the Last Post: Theorizing Post-colonialism and Post-modernismIan Adam, Helen Tiffin Harvester Wheatsheaf, 1991 - 214 lappuses This book is an examination of two major literary movements which are often misleadingly conflated. The post-colonial differs from the post-modern in its provenance in former British colonies and dominions, in its historical reach extending from the time of Imperial dominance down to the contemporary, in its critical commitment to context, and in its development of an independent body of theory. |
Saturs
Merle Hodges Crick Crack Monkey | 13 |
Some Relations Between Modernity Colonization | 23 |
Wilson Harriss Alternative to All Posts | 47 |
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Past the Last Post: Theorizing Post-colonialism and Post-modernism Ian Adam,Helen Tiffin Fragmentu skats - 1990 |
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ambivalence archive argues authenticity becomes Birney British Brydon Canada Canadian capital Caribbean cartographic challenge colonial discourse colonialist concept contemporary context counter-discursive critique decolonization deconstruction Derrida difference displacement dominant English essay European feminist fiction Foucault Harris Harris's Helen Tiffin human Hutcheon identity imperial imperialist Indian irony Kosinsky Kosinsky's Kunapipi language Linda Hutcheon literary living London Malouf's Mandela Maori metafiction metaphors Midnight's Children mode modernism modernist myth narrative narrator novel Pakeha paradoxical parody past political position post-colonial criticism post-colonial discourse Post-Colonial Literatures post-colonial text post-colonial writing post-modern and post-colonial post-modernism post-modernist post-structuralism post-structuralist practice problematic production radical reading realism reality referential relation representation resistance Richler Rushdie Rushdie's Saleem sense simulacra social South African space specific story strategies structure suggests symbol tapu Te Kooti textual theory Tiffin tion tradition transformation University voice Western Wilson Harris Zealand