A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 lappuses |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
action actors admiration allowed altogether ancients appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra Comedy composition considered Corneille critics death dignity display dramatic art effect elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy FRENCH TRAGIC frequently give Grecian Greek Greek tragedies hand Hence hero heroic honour human idea imagination imitation intrigue invention Italian Julius Cæsar labours language Louis XIV Macbeth manner means merely Metastasio mind modern Molière moral nature never noble object observed opera opinion Orestes original painted passion peculiar persons pieces Plautus play players plot poet poetical poetry possess principles produce Racine racter representation resemblance respect rhyme Roman scene Semiramis Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage talent taste theatre theatrical Theseus thing tion tone true truth Unity verse versification Voltaire whole
Populāri fragmenti
433. lappuse - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
352. lappuse - How absolute the knave is ! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it ; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. How long hast thou been a grave-maker? First Clo. Of all the days i' the year, I came to 't that day that our last king Hamlet overcame Fortinbras.
354. lappuse - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
251. lappuse - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
438. lappuse - I have no brother, I am like no brother; And this word 'love,' which greybeards call divine, Be resident in men like one another, And not in me! I am myself alone.
400. lappuse - Say, there be ; Yet nature is made better by no mean, But nature makes that mean ; so, o'er that art Which, you say, adds to nature, is an art That nature makes.
412. lappuse - Tis two or three, my lord, that bring you word, Macduff is fled to England. Macb. Fled to England ? Len. Ay, my good lord. Macb. Time, thou anticipat'st my dread exploits : The flighty purpose never is o'ertook, Unless the deed go with it : from this moment, The very firstlings of my heart shall be The firstlings of my hand.
374. lappuse - This fellow is wise enough to play the fool; And to do that well craves a kind of wit. 60 He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practice As full of labour as a wise man's art.
400. lappuse - By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.