Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
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1.5. rezultāts no 18.
79. lappuse
... public domain . I guess a lot of film buffs know when that was made , in 1946 , it got terrible reviews . The critics trashed it . The film was a financial disaster because the company was dissolved that Mr. Stewart and Mr. Capra had ...
... public domain . I guess a lot of film buffs know when that was made , in 1946 , it got terrible reviews . The critics trashed it . The film was a financial disaster because the company was dissolved that Mr. Stewart and Mr. Capra had ...
83. lappuse
... public domain and people were not seeing the movie as he wanted them to see it . They were seeing it with scratches . They were seeing edited versions . Scenes were missing and , because it was in public domain , maybe 20-25 ...
... public domain and people were not seeing the movie as he wanted them to see it . They were seeing it with scratches . They were seeing edited versions . Scenes were missing and , because it was in public domain , maybe 20-25 ...
84. lappuse
... public domain , we have decided to locate , preserve and to colorize them . Because they are in the public domain , the existing prints are not very good . So , whether you are watching public domain prints of " MEET JOHN DOE " with ...
... public domain , we have decided to locate , preserve and to colorize them . Because they are in the public domain , the existing prints are not very good . So , whether you are watching public domain prints of " MEET JOHN DOE " with ...
94. lappuse
... public domain , producers must look to State rules of contract interpretation , and Federal and State tort rules , to secure their interests in authentici- ty . [ The statement of Mr. Goldstein follows : ] Statement of Paul Goldstein ...
... public domain , producers must look to State rules of contract interpretation , and Federal and State tort rules , to secure their interests in authentici- ty . [ The statement of Mr. Goldstein follows : ] Statement of Paul Goldstein ...
100. lappuse
... public domain , producers must look to state rules of contract interpretation and to state and federal tort rules to secure their interests in authenticity . APPENDIX STANFORD LAW SCHOOL . STANFORD , CALIFORNIA 94305 PAUL 100.
... public domain , producers must look to state rules of contract interpretation and to state and federal tort rules to secure their interests in authenticity . APPENDIX STANFORD LAW SCHOOL . STANFORD , CALIFORNIA 94305 PAUL 100.
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accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG
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