Art and CopyrightBloomsbury Academic, 2001. gada 1. jūn. - 216 lappuses The intellectual property protection afforded to works of art is receiving increased attention by artists,museums, galleries, auction houses, publishers and their professional staff and legal advisors, as well as by those teaching or studying copyright and/or the law of cultural property. |
No grāmatas satura
1.–3. rezultāts no 39.
... argument is to be dis- tinguished from the natural law argument discussed below . However , it has also been pointed out that the difficulty with the desert theory is in determining what sort of efforts are worthy of pro- tection and ...
... argument in this case was that artists must be able to use existing works if they are to communicate effectively , to speak freely about and through the artistic tradition in which they work , although as Spence rightly points out this ...
... arguing that there was legitimate criticism and review taking place : setting Matisse in the context of other twentieth - century artists and commenting on his work . 17 Perhaps the strongest argument in favour of the estate was that ...
Saturs
Introduction | 1 |
Its Justification and History | 9 |
The Modern Law of Copyright | 27 |
Autortiesības | |
11 citas sadaļas nav parādītas.