Art and CopyrightBloomsbury Publishing, 2021. gada 11. marts - 336 lappuses First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art. |
No grāmatas satura
1.–5. rezultāts no 60.
1. lappuse
... painting, sculpture and architecture'. In fact, with limited exceptions, UK copyright law now makes no express distinction between works of fine art and other artistic works in affording copyright protection. But historically, a ...
... painting, sculpture and architecture'. In fact, with limited exceptions, UK copyright law now makes no express distinction between works of fine art and other artistic works in affording copyright protection. But historically, a ...
4. lappuse
... paintings (if in copyright) would. 14 This is discussed below in ch 6 along with Brexit. 15 K Garnett et al, Copinger and Skone James on Copyright, 14th edn (London, Sweet & Maxwell, 1999) [hereafter 'Copinger (1999)'] para 1-05. The ...
... paintings (if in copyright) would. 14 This is discussed below in ch 6 along with Brexit. 15 K Garnett et al, Copinger and Skone James on Copyright, 14th edn (London, Sweet & Maxwell, 1999) [hereafter 'Copinger (1999)'] para 1-05. The ...
5. lappuse
Simon Stokes. an artistic style, but Seurat's paintings (if in copyright) would themselves be protected from copying ... painting have been reproduced, but there has been no literal copying.20 It is then frequently necessary to determine ...
Simon Stokes. an artistic style, but Seurat's paintings (if in copyright) would themselves be protected from copying ... painting have been reproduced, but there has been no literal copying.20 It is then frequently necessary to determine ...
18. lappuse
... painting complained that tableaux vivants mimicking it were being staged in London without his permission, a claim of copyright infringement failed.62 This has now changed.63 Likewise, it has been argued that the concept of'originality ...
... painting complained that tableaux vivants mimicking it were being staged in London without his permission, a claim of copyright infringement failed.62 This has now changed.63 Likewise, it has been argued that the concept of'originality ...
20. lappuse
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Esat sasniedzis šīs grāmatas aplūkošanas reižu limitu.
Saturs
1 | |
8 | |
3 The Modern Law of Copyright | 24 |
4 Moral Rights and Artists Resale Right Droit de Suite | 72 |
Copyright Related Rights and Digitisation | 98 |
6 Some Current Issues | 126 |
7 Some Practical Issues and Precedents | 196 |
8 Art and Intellectual Property Rights Other than Copyright | 218 |
9 Conclusion | 229 |
Precedents and Precedent Checklists | 236 |
Index | 247 |
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