Art and CopyrightBloomsbury Publishing, 2021. gada 11. marts - 336 lappuses First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art. |
No grāmatas satura
1.–5. rezultāts no 64.
xv. lappuse
... Matters (London, Sweet & Maxwell, 2000) Jaszi P Jaszi, 'Toward a Theory of Copyright: The Metamorphoses of “Authorship”' (1991) 42 Duke Law Journal 455 Johnson E Johnson, 'Intellectual Property and the Incentive Fallacy' Florida ...
... Matters (London, Sweet & Maxwell, 2000) Jaszi P Jaszi, 'Toward a Theory of Copyright: The Metamorphoses of “Authorship”' (1991) 42 Duke Law Journal 455 Johnson E Johnson, 'Intellectual Property and the Incentive Fallacy' Florida ...
7. lappuse
... matter to be left to practitioners alone. Suggested Further Reading A Barron, 'Copyright Law and the Claims of Art' (2002) 4 Intellectual Property Quarterly 368 PH Karlen, 'What is Art? A Sketch for a Legal Definition' (1978) 94 Law ...
... matter to be left to practitioners alone. Suggested Further Reading A Barron, 'Copyright Law and the Claims of Art' (2002) 4 Intellectual Property Quarterly 368 PH Karlen, 'What is Art? A Sketch for a Legal Definition' (1978) 94 Law ...
8. lappuse
... matter was examined in any great detail during the deliberations over the statute' (48). 2 LR Patterson, Copyright ... Matters (London, Sweet & Maxwell, 2000) ch 8. 4 See J Waldron, 'From Authors to Copiers: Individual Rights and Social ...
... matter was examined in any great detail during the deliberations over the statute' (48). 2 LR Patterson, Copyright ... Matters (London, Sweet & Maxwell, 2000) ch 8. 4 See J Waldron, 'From Authors to Copiers: Individual Rights and Social ...
9. lappuse
... matter of copyright has continuing consequences for copyright law, which often misconceives its object, resulting in confusion and incoherence.'6 Copyright discourse can also often ignore the broader creative and cultural context in ...
... matter of copyright has continuing consequences for copyright law, which often misconceives its object, resulting in confusion and incoherence.'6 Copyright discourse can also often ignore the broader creative and cultural context in ...
18. lappuse
... matter must be original, it must be a composition of the author, something which has grown up in his mind, the product of something which if it were applied to patent rights would be called invention.' This is in distinction to the ...
... matter must be original, it must be a composition of the author, something which has grown up in his mind, the product of something which if it were applied to patent rights would be called invention.' This is in distinction to the ...
Saturs
1 | |
8 | |
3 The Modern Law of Copyright | 24 |
4 Moral Rights and Artists Resale Right Droit de Suite | 72 |
Copyright Related Rights and Digitisation | 98 |
6 Some Current Issues | 126 |
7 Some Practical Issues and Precedents | 196 |
8 Art and Intellectual Property Rights Other than Copyright | 218 |
9 Conclusion | 229 |
Precedents and Precedent Checklists | 236 |
Index | 247 |
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