Art and CopyrightBloomsbury Publishing, 2021. gada 11. marts - 336 lappuses First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art. |
No grāmatas satura
1.–5. rezultāts no 38.
4. lappuse
... labour alone ('sweat of the brow') was, with limited exceptions, sufficient to confer 'originality', whereas under authors' rights systems there had to be creativity, on the basis a work reflects the personality of its creator. However ...
... labour alone ('sweat of the brow') was, with limited exceptions, sufficient to confer 'originality', whereas under authors' rights systems there had to be creativity, on the basis a work reflects the personality of its creator. However ...
6. lappuse
... labour (natural law theory)), both of which are discussed below in ch 2, and the need for an interdisciplinary approach to the subject that gives due weight to the natural law theory, see AC Yen, 'The Interdisciplinary Future of ...
... labour (natural law theory)), both of which are discussed below in ch 2, and the need for an interdisciplinary approach to the subject that gives due weight to the natural law theory, see AC Yen, 'The Interdisciplinary Future of ...
9. lappuse
... labour; stimulus to creativity; and social requirements. In the author's view, two of these principles merge together, 'natural law' and 'just reward for labour' being both classed as 'moral rights' arguments. 11 See M Spence ...
... labour; stimulus to creativity; and social requirements. In the author's view, two of these principles merge together, 'natural law' and 'just reward for labour' being both classed as 'moral rights' arguments. 11 See M Spence ...
11. lappuse
... labour, and that under natural law authors have an exclusive right of property in their labours. Just. Reward. Theory. At its most basic this theory can be summed up by Jesus' injunction: 'For the labourer is worth his hire.'21 A variant ...
... labour, and that under natural law authors have an exclusive right of property in their labours. Just. Reward. Theory. At its most basic this theory can be summed up by Jesus' injunction: 'For the labourer is worth his hire.'21 A variant ...
12. lappuse
... labour, whether they are tangible or intangible. The law has not found it possible to give full 24 23 Isaac (above n 3) 223, citing LC Becker, 'Deserving to Own Intellectual Property' (1993) 68 Chicago-Kent Law Review 609. protection to ...
... labour, whether they are tangible or intangible. The law has not found it possible to give full 24 23 Isaac (above n 3) 223, citing LC Becker, 'Deserving to Own Intellectual Property' (1993) 68 Chicago-Kent Law Review 609. protection to ...
Saturs
1 | |
8 | |
3 The Modern Law of Copyright | 24 |
4 Moral Rights and Artists Resale Right Droit de Suite | 72 |
Copyright Related Rights and Digitisation | 98 |
6 Some Current Issues | 126 |
7 Some Practical Issues and Precedents | 196 |
8 Art and Intellectual Property Rights Other than Copyright | 218 |
9 Conclusion | 229 |
Precedents and Precedent Checklists | 236 |
Index | 247 |
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