Art and CopyrightBloomsbury Publishing, 2021. gada 11. marts - 336 lappuses First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art. |
No grāmatas satura
1.5. rezultāts no 58.
5. lappuse
... held that transfer of ownership of an unpublished work transferred the common law copyright in the work as well. See DM Millinger, 'Copyright and the Fine Arts' (1980) 48 George Washington Law Review 354, 365. 23 If such an assignment ...
... held that transfer of ownership of an unpublished work transferred the common law copyright in the work as well. See DM Millinger, 'Copyright and the Fine Arts' (1980) 48 George Washington Law Review 354, 365. 23 If such an assignment ...
12. lappuse
... held that the defendant could be enjoined from using the plaintiff's wire service news items during the period the information constituted 'hot' news and had commercial value: strictly speaking, what was restricted here was not copying ...
... held that the defendant could be enjoined from using the plaintiff's wire service news items during the period the information constituted 'hot' news and had commercial value: strictly speaking, what was restricted here was not copying ...
18. lappuse
... held that the earlier cases were no longer good law in light of s 1(2) of the Copyright Act 1911: 'Copyright means the sole right to produce or reproduce the work or any substantial part thereof in any material form whatsoever.' 64 ...
... held that the earlier cases were no longer good law in light of s 1(2) of the Copyright Act 1911: 'Copyright means the sole right to produce or reproduce the work or any substantial part thereof in any material form whatsoever.' 64 ...
21. lappuse
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27. lappuse
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Saturs
1 | |
8 | |
3 The Modern Law of Copyright | 24 |
4 Moral Rights and Artists Resale Right Droit de Suite | 72 |
Copyright Related Rights and Digitisation | 98 |
6 Some Current Issues | 126 |
7 Some Practical Issues and Precedents | 196 |
8 Art and Intellectual Property Rights Other than Copyright | 218 |
9 Conclusion | 229 |
Precedents and Precedent Checklists | 236 |
Index | 247 |
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