Art and CopyrightBloomsbury Publishing, 2021. gada 11. marts - 336 lappuses First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art. |
No grāmatas satura
1.–5. rezultāts no 96.
i. lappuse
... created works; – graffiti and other non-conventional works; – blockchain and rights management; – orphan works; – new exceptions to copyright; and – digital copyright, art databases and online platforms. This book remains an invaluable ...
... created works; – graffiti and other non-conventional works; – blockchain and rights management; – orphan works; – new exceptions to copyright; and – digital copyright, art databases and online platforms. This book remains an invaluable ...
2. lappuse
... creating much-publicised artistic works and the merging of the real and virtual in how we view and (on occasion) ... created that consists of a massproduced article isolated from its functional context and displayed as a work of art ...
... creating much-publicised artistic works and the merging of the real and virtual in how we view and (on occasion) ... created that consists of a massproduced article isolated from its functional context and displayed as a work of art ...
3. lappuse
... creating a similar work,11 nor does it necessarily mean that copyright owners have the right to exploit their work themselves.12 Copyright and related rights are national rights – there is no universal law of copyright. In particular ...
... creating a similar work,11 nor does it necessarily mean that copyright owners have the right to exploit their work themselves.12 Copyright and related rights are national rights – there is no universal law of copyright. In particular ...
4. lappuse
... creation, the implications of which are considered in Chapter 3. Also, in the US, following the landmark Supreme Court Feist case,16 US law requires 'some minimal degree of creativity'.17 It is also important to be aware from the outset ...
... creation, the implications of which are considered in Chapter 3. Also, in the US, following the landmark Supreme Court Feist case,16 US law requires 'some minimal degree of creativity'.17 It is also important to be aware from the outset ...
9. lappuse
... created.7 2.2. Justifications for Copyright8 There are a number of different theories of copyright – at least ten according to one commentator9 – but the main justifications for copyright fall into three broad areas. The first is on the ...
... created.7 2.2. Justifications for Copyright8 There are a number of different theories of copyright – at least ten according to one commentator9 – but the main justifications for copyright fall into three broad areas. The first is on the ...
Saturs
1 | |
8 | |
3 The Modern Law of Copyright | 24 |
4 Moral Rights and Artists Resale Right Droit de Suite | 72 |
Copyright Related Rights and Digitisation | 98 |
6 Some Current Issues | 126 |
7 Some Practical Issues and Precedents | 196 |
8 Art and Intellectual Property Rights Other than Copyright | 218 |
9 Conclusion | 229 |
Precedents and Precedent Checklists | 236 |
Index | 247 |
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