Art and CopyrightBloomsbury Publishing, 2021. gada 11. marts - 336 lappuses First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art. |
No grāmatas satura
1.–5. rezultāts no 41.
9. lappuse
... according to one commentator9 – but the main justifications for copyright fall into three broad areas. The first is on the basis of economics; the second is on the basis of public policy (the cultural argument for copyright); and the ...
... according to one commentator9 – but the main justifications for copyright fall into three broad areas. The first is on the basis of economics; the second is on the basis of public policy (the cultural argument for copyright); and the ...
11. lappuse
... according to David Saunders, in the seventeenth-century case Roper v Streeter,17 the court 'recognised investment and expense as justifying a claim to a property [right] in copyright'.18. 2.2.2. Public. Policy. Arguments. It is generally ...
... according to David Saunders, in the seventeenth-century case Roper v Streeter,17 the court 'recognised investment and expense as justifying a claim to a property [right] in copyright'.18. 2.2.2. Public. Policy. Arguments. It is generally ...
14. lappuse
... (45–50). 41 See Hughes (above n 22) 287. 42 Thomas (above n 12) 26, citing H Spencer, The Principles of Ethics, Vol II [1897]. 43 Rahmatian (above n 37) 97. According to Sterling (above 14 The Copyright System: Justification and History.
... (45–50). 41 See Hughes (above n 22) 287. 42 Thomas (above n 12) 26, citing H Spencer, The Principles of Ethics, Vol II [1897]. 43 Rahmatian (above n 37) 97. According to Sterling (above 14 The Copyright System: Justification and History.
15. lappuse
... according to Le Chapelier, 'everybody should be able to print and publish the works which have helped to enlighten the human spirit.'46 The use of natural law arguments to justify intellectual property rights is not without its critics ...
... according to Le Chapelier, 'everybody should be able to print and publish the works which have helped to enlighten the human spirit.'46 The use of natural law arguments to justify intellectual property rights is not without its critics ...
17. lappuse
... according to Rushton (above n 53), such works inevitably have functional aspects (which ought not to be protected by copyright); they are attractive to consumers for a number of reasons not least often because of their attribution to a ...
... according to Rushton (above n 53), such works inevitably have functional aspects (which ought not to be protected by copyright); they are attractive to consumers for a number of reasons not least often because of their attribution to a ...
Saturs
1 | |
8 | |
3 The Modern Law of Copyright | 24 |
4 Moral Rights and Artists Resale Right Droit de Suite | 72 |
Copyright Related Rights and Digitisation | 98 |
6 Some Current Issues | 126 |
7 Some Practical Issues and Precedents | 196 |
8 Art and Intellectual Property Rights Other than Copyright | 218 |
9 Conclusion | 229 |
Precedents and Precedent Checklists | 236 |
Index | 247 |
Citi izdevumi - Skatīt visu
Bieži izmantoti vārdi un frāzes
accessed According appears apply approach argued argument artistic basis benefit CDPA chapter cited CJEU claim collecting communication concerned considered context copy copyright law copyright protection Court created creation creative cultural database dealing defendant developed Digital Directive discussed economic effect European example exception expression fair give granted held idea images infringement Intellectual Property interest International Internet involved issues judge judgment labour licence limited London Lord material matter means moral rights noted object original orphan owner Oxford painting parody particular Performances person photographs Practice Press prevent protected by copyright public domain Publishing question recent referred Regulations relation relevant reproduction Resale Right Review sculpture Society substantial tion trade mark traditional UK law United University visual