Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
No grāmatas satura
1.–5. rezultāts no 28.
3. lappuse
... matter is that films , like other artistic products have personalities of their own . In many cases , black and white was chosen and color specifically rejected for artistic reasons . Some of the artists remain alive to testify to the ...
... matter is that films , like other artistic products have personalities of their own . In many cases , black and white was chosen and color specifically rejected for artistic reasons . Some of the artists remain alive to testify to the ...
9. lappuse
... MATTER IS THAT FILMS , LIKE OTHER ARTISTIC PRODUCTS HAVE PERSONALITIES OF THEIR OWN . IN MANY CASES , BLACK - AND - WHITE WAS CHOSEN AND COLOR SPECIFICALLY REJECTED FOR ARTISTIC REASONS . SOME OF THE ARTISTS REMAIN ALIVE TO TESTIFY TO ...
... MATTER IS THAT FILMS , LIKE OTHER ARTISTIC PRODUCTS HAVE PERSONALITIES OF THEIR OWN . IN MANY CASES , BLACK - AND - WHITE WAS CHOSEN AND COLOR SPECIFICALLY REJECTED FOR ARTISTIC REASONS . SOME OF THE ARTISTS REMAIN ALIVE TO TESTIFY TO ...
12. lappuse
... MATTER HOW THEY RATIONALIZE IT . MR . TURNER , WHEN ASKED WHY HE WAS COLORING THE CLASSIC FILM SAID HE WAS DOING IT BECAUSE " CASABLANCA " , CONTROVERSY . " OUTRAGEOUS . WE FIND THAT STATEMENT BOTH " HE LOVED THE IRRESPONSIBLE AND ΤΟ ...
... MATTER HOW THEY RATIONALIZE IT . MR . TURNER , WHEN ASKED WHY HE WAS COLORING THE CLASSIC FILM SAID HE WAS DOING IT BECAUSE " CASABLANCA " , CONTROVERSY . " OUTRAGEOUS . WE FIND THAT STATEMENT BOTH " HE LOVED THE IRRESPONSIBLE AND ΤΟ ...
34. lappuse
... matter if it is a Picasso or from an unknown , it is mine . I paid for it , and I can do anything - anything . It is mine . I can do anything . I own it . Nobody can protect the painting against me doing_any- thing with it I wish . I ...
... matter if it is a Picasso or from an unknown , it is mine . I paid for it , and I can do anything - anything . It is mine . I can do anything . I own it . Nobody can protect the painting against me doing_any- thing with it I wish . I ...
37. lappuse
... MATTER IF IT IS A PICASSO OR FROM AN UNKNOWN , IT IS MINE . I PAID FOR IT . I OWN IT AND NOBODY CAN PROTECT IT AGAINST ME DOING ANYTHING I WISH . I CAN CHANGE COLORS , I CAN ALTER THE LINES , I CAN EVEN CUT A FEW INCHES HERE AND THERE ...
... MATTER IF IT IS A PICASSO OR FROM AN UNKNOWN , IT IS MINE . I PAID FOR IT . I OWN IT AND NOBODY CAN PROTECT IT AGAINST ME DOING ANYTHING I WISH . I CAN CHANGE COLORS , I CAN ALTER THE LINES , I CAN EVEN CUT A FEW INCHES HERE AND THERE ...
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accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact film buffs Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG