Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
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1.–5. rezultāts no 25.
3. lappuse
... less argument . Whether it was or not , the fact of the matter is that films , like other artistic products have personalities of their own . In many cases , black and white was chosen and color specifically rejected for artistic ...
... less argument . Whether it was or not , the fact of the matter is that films , like other artistic products have personalities of their own . In many cases , black and white was chosen and color specifically rejected for artistic ...
16. lappuse
... less than a second , evokes a memory , a movie . They engage us , entertain us , and delight us . The Directors Guild of America , in honor of the Fiftieth Anniversary of its founding , has given this film to the audiences of America ...
... less than a second , evokes a memory , a movie . They engage us , entertain us , and delight us . The Directors Guild of America , in honor of the Fiftieth Anniversary of its founding , has given this film to the audiences of America ...
18. lappuse
... less protection in our country than we have in France or Italy or Japan . So the fact that I happen to prefer black and white for " The Mal- tese Falcon , " that I am convinced that it is art and its value is greater in its authentic ...
... less protection in our country than we have in France or Italy or Japan . So the fact that I happen to prefer black and white for " The Mal- tese Falcon , " that I am convinced that it is art and its value is greater in its authentic ...
23. lappuse
... LESS PROTECTION WITH OUR OWN COUNTRY THAN WE HAVE IN FRANCE , OR ITALY OR JAPAN . THE FACT THAT I HAPPEN TO PREFER BLACK AND WHITE FOR " THE MALTESE FALCON " IS NOT FINALLY THE DECIDING FACTOR . THE FACT THAT I AGREE WITH VINCENT CANBY ...
... LESS PROTECTION WITH OUR OWN COUNTRY THAN WE HAVE IN FRANCE , OR ITALY OR JAPAN . THE FACT THAT I HAPPEN TO PREFER BLACK AND WHITE FOR " THE MALTESE FALCON " IS NOT FINALLY THE DECIDING FACTOR . THE FACT THAT I AGREE WITH VINCENT CANBY ...
25. lappuse
... less what Huston wants . The colorizers also tell us that a viewer can simply turn off the color and see the film in black and white . The fact that the man who made the film wants no one at all to see it in color means nothing to them ...
... less what Huston wants . The colorizers also tell us that a viewer can simply turn off the color and see the film in black and white . The fact that the man who made the film wants no one at all to see it in color means nothing to them ...
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accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact film buffs Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG