Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
No grāmatas satura
1.–5. rezultāts no 12.
91. lappuse
... effectively to these ques- tions when it attends most closely to the principles that have tradi- tionally shaped this country's intellectual property systems . The present controversy over colorization of black - and - 91.
... effectively to these ques- tions when it attends most closely to the principles that have tradi- tionally shaped this country's intellectual property systems . The present controversy over colorization of black - and - 91.
95. lappuse
... effectively to these questions when it attends most closely to the principles that have traditionally shaped this country's intellectual property systems . The present controversy over colorization of black - and - white motion pictures ...
... effectively to these questions when it attends most closely to the principles that have traditionally shaped this country's intellectual property systems . The present controversy over colorization of black - and - white motion pictures ...
97. lappuse
... effectively , alerting interested parties to the possible problems raised by copyright protection for colorized versions in its 20 August Notice of Inquiry on the subject . ( My response to the Copyright office's Notice of Inquiry is ...
... effectively , alerting interested parties to the possible problems raised by copyright protection for colorized versions in its 20 August Notice of Inquiry on the subject . ( My response to the Copyright office's Notice of Inquiry is ...
99. lappuse
... effectively gives motion picture producers the right to stop others from colorizing their works or , if the producer chooses , to authorize colorization under tightly controlled conditions , or to impose no conditions at all . But ...
... effectively gives motion picture producers the right to stop others from colorizing their works or , if the producer chooses , to authorize colorization under tightly controlled conditions , or to impose no conditions at all . But ...
100. lappuse
... effectively control the performance of colorized versions . In sum , the brunt of my testimony is that copyright's principles of authorship and consumer choice support copyright protection for colorized films , and copyright's principle ...
... effectively control the performance of colorized versions . In sum , the brunt of my testimony is that copyright's principles of authorship and consumer choice support copyright protection for colorized films , and copyright's principle ...
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accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact film buffs Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG