Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
No grāmatas satura
1.–5. rezultāts no 21.
8. lappuse
... COURSE OF TWO HOURS , A SUBSTANTIAL NUMBER OF MINUTES ARE GAINED FOR COMMERCIAL MESSAGES . COMPENSATES FOR THE RISE IN FREQUENCY OF THE ACTORS ' VOICES . AS YOU ALL MUST KNOW , ACTORS AND DIRECTORS WORK VERY HARD ON A SET TO ACHIEVE ...
... COURSE OF TWO HOURS , A SUBSTANTIAL NUMBER OF MINUTES ARE GAINED FOR COMMERCIAL MESSAGES . COMPENSATES FOR THE RISE IN FREQUENCY OF THE ACTORS ' VOICES . AS YOU ALL MUST KNOW , ACTORS AND DIRECTORS WORK VERY HARD ON A SET TO ACHIEVE ...
14. lappuse
... course of the past 12 years across the negotiating table to achieve some prohibition against these things but , in some cases , they are beyond the disciplines of mandatory subjects of bargaining , and in other cases the Producers ...
... course of the past 12 years across the negotiating table to achieve some prohibition against these things but , in some cases , they are beyond the disciplines of mandatory subjects of bargaining , and in other cases the Producers ...
17. lappuse
... course , not true at all . None of us are for censorship of any kind . We have been accused of denying the public the right to see vari- ations of our work by the people who do this colorization . It would be perfectly all right for any ...
... course , not true at all . None of us are for censorship of any kind . We have been accused of denying the public the right to see vari- ations of our work by the people who do this colorization . It would be perfectly all right for any ...
26. lappuse
... course , that no one should ever be able to tamper with any artist's work in any medium against the art- ist's will and this principle can be argued justly by any citizen . It does not need a directly involved artist . The colorizers ...
... course , that no one should ever be able to tamper with any artist's work in any medium against the art- ist's will and this principle can be argued justly by any citizen . It does not need a directly involved artist . The colorizers ...
32. lappuse
... COURSE THAT NO ONE SHOULD EVER BE ABLE TO TAMPER WITH ANY ARTIST'S WORK IN ANY MEDIUM AGAINST THE ARTIST'S WILL AND THIS PRINCIPLE CAN BE ARGUED JUSTLY BY ANY CITIZEN . IT DOES NOT NEED A DIRECTLY INVOLVED ARTIST . THE COLORIZERS MAY ...
... COURSE THAT NO ONE SHOULD EVER BE ABLE TO TAMPER WITH ANY ARTIST'S WORK IN ANY MEDIUM AGAINST THE ARTIST'S WILL AND THIS PRINCIPLE CAN BE ARGUED JUSTLY BY ANY CITIZEN . IT DOES NOT NEED A DIRECTLY INVOLVED ARTIST . THE COLORIZERS MAY ...
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accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact film buffs Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG