Legal Issues that Arise when Color is Added to Films Orginally Produced, Sold, and Distributed in Black and White: Hearing Before the Subcommittee on Technology and the Law of the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session ... May 12, 1987U.S. Government Printing Office, 1988 - 187 lappuses |
No grāmatas satura
1.–5. rezultāts no 31.
3. lappuse
... argument . Whether it was or not , the fact of the matter is that films , like other artistic products have personalities of their own . In many cases , black and white was chosen and color specifically rejected for artistic reasons ...
... argument . Whether it was or not , the fact of the matter is that films , like other artistic products have personalities of their own . In many cases , black and white was chosen and color specifically rejected for artistic reasons ...
8. lappuse
... THE COMMITTEE JUDGE THE VARIOUS ARGUMENTS OFFERED TO YOU IN THE LIGHT NOT ONLY OF MERIT BUT OF MOTIVATION . LAST SUMMER OUR GUILD PRESIDENT GILBERT CATES ASKED ME TO 8 ALPHABETICAL LIST AND MATERIAL SUBMITTED Page 57 91 25 24.
... THE COMMITTEE JUDGE THE VARIOUS ARGUMENTS OFFERED TO YOU IN THE LIGHT NOT ONLY OF MERIT BUT OF MOTIVATION . LAST SUMMER OUR GUILD PRESIDENT GILBERT CATES ASKED ME TO 8 ALPHABETICAL LIST AND MATERIAL SUBMITTED Page 57 91 25 24.
9. lappuse
... ARGUMENT . WHETHER IT WAS OR NOT , THE FACT OF THE MATTER IS THAT FILMS , LIKE OTHER ARTISTIC PRODUCTS HAVE PERSONALITIES OF THEIR OWN . IN MANY CASES , BLACK - AND - WHITE WAS CHOSEN AND COLOR SPECIFICALLY REJECTED FOR ARTISTIC REASONS ...
... ARGUMENT . WHETHER IT WAS OR NOT , THE FACT OF THE MATTER IS THAT FILMS , LIKE OTHER ARTISTIC PRODUCTS HAVE PERSONALITIES OF THEIR OWN . IN MANY CASES , BLACK - AND - WHITE WAS CHOSEN AND COLOR SPECIFICALLY REJECTED FOR ARTISTIC REASONS ...
17. lappuse
... argument . It is not whether color is ipso facto better than black and white , but that it is not in any sense the same as black and white ; that it represents a creative choice and that the whole art of directing a motion picture is ...
... argument . It is not whether color is ipso facto better than black and white , but that it is not in any sense the same as black and white ; that it represents a creative choice and that the whole art of directing a motion picture is ...
19. lappuse
... argument than this . Perhaps these concerns , I am told , must be brushed aside in the interest of what we are told is progress . And even the fact that I am heartbroken at the prospect of seeing Ingrid Bergman say that last goodbye to ...
... argument than this . Perhaps these concerns , I am told , must be brushed aside in the interest of what we are told is progress . And even the fact that I am heartbroken at the prospect of seeing Ingrid Bergman say that last goodbye to ...
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accompanying text actors alter and-white argument artistic integrity audience authorship black and white black-and-white films black-and-white motion pictures black-and-white version broadcast Buddy Young Casablanca Chairman choice Citizen Kane classic Color Systems Technology colorization of black-and-white colorization process colorized films colorized version Committee computer coloring Congress contract Copyright Act copyright law Copyright Office copyright owner copyright protection creative creator cultural Directors Guild economic fact film buffs Film Critics going Guild of America Hal Roach Studios Hollywood issue It's A Wonderful John Huston Lanham Act Laurel & Hardy look Maltese Falcon MAYER moral rights NATIONAL old black old movies original black-and-white original film Paul Goldstein photograph POLLACK present preserve public domain question recognizes Roger Mayer scene screen Senator LEAHY SILVERSTEIN supra note Ted Turner television videotape viewers watch white films white movies Wonderful Woody Allen YOUNG