Comic Faith: The Great Tradition from Austen to JoyceUniversity of Chicago Press, 1982 - 408 lappuses "Polhemus sketches several distinctions between nineteenth- and twentieth-century novelists and concludes that what most characterizes the nineteenth century, from the perspective of the twentieth, is the tendency in its comic fiction to criticize and to undermine the dogma and institutions of religion and to put faith instead of the existence of the comic perspective. Comic Faith is a virtuoso performance of impressive stature; I suspect the book will be influential for many years to come."—John Halperin, Modern Fiction Studies |
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... NIGHTMARE ABBEY ( 1818 ) Comic Communion 60 4 DICKENS'S MARTIN CHUZZLEWIT ( 1843–44 ) The Comedy of Expression 88 5 THACKERAY'S VANITY FAIR ( 1847-48 ) The Comedy of Shifting Perspectives 124 6 TROLLOPE'S BARCHESTER TOWERS ( 1857 ) ...
... NIGHTMARE ABBEY ( 1818 ) Comic Communion 60 4 DICKENS'S MARTIN CHUZZLEWIT ( 1843–44 ) The Comedy of Expression 88 5 THACKERAY'S VANITY FAIR ( 1847-48 ) The Comedy of Shifting Perspectives 124 6 TROLLOPE'S BARCHESTER TOWERS ( 1857 ) ...
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Saturs
Worlds Without End | 3 |
The Comedy of Union | 24 |
3 Peacocks Nightmare Abbey 1818 | 60 |
4 Dickens Martin Chuzzlewit 184344 | 88 |
The Comedy of Expression | 124 |
Comic Reformation | 166 |
The Comedy of Egoism | 204 |
The Comedy of Regression | 245 |
The Comic Gospel of Shem | 294 |
Notes | 339 |
Bibliography | 359 |
393 | |
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Comic Faith: The Great Tradition from Austen to Joyce Robert M. Polhemus Ierobežota priekšskatīšana - 1982 |
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Alice Amelia Anthony Trollope Arabin Barchester Towers Becky becomes Carroll's century chapter characters Charles Dickens child Christian church Clara comedy comic faith comic fiction comic vision consciousness Critical Dickens Dickens's dream edited Egoist Emma Emma's English Essays expression fantasy feel Finnegans Wake Flosky George Meredith happy human humor Humpty imagination irony James Joyce Jane Austen joke Joyce's Knightley Laetitia language laughter Lewis Carroll literary literature lives London Looking-Glass Martin Chuzzlewit meaning metaphor mind mocks modern moral nature Nightmare Abbey nineteenth-century nonsense novel novelist Oxford Palliser Novels parody pattern Peacock Pecksniff perspective play pleasure prose Proudie readers reality reflection religion religious ridiculous satire says Scythrop selfish sense Shaun Shem shows social society speech spirit talk Thackeray Thackeray's things Thomas Love Peacock thought tion Trollope's University Press Vanity Fair Victorian voice whole Willoughby wine woman women words writing York