Copyright Law Revision: Hearings, Ninetieth Congress, First Session, Pursuant to S. Res. 37, on S.597, 1-4. daļas
United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Patents, Trademarks, and Copyrights
U.S. Government Printing Office, 1967
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American appear ASCAP Association authors believe bill broadcasting cents Chairman clause committee composers concerned Congress copies copyright law copyright owner cost course created distribution economic educational effect exemption existing fact fair Government grant hearings House important increase industry infringement institutions instructional interest issue jukebox legislation license limited machine manufacturing material matter means music publishers Office operators organization paid payment percent performance period person phonorecords played position practical present president printing problem producers profit programs proposed protection provision publishers question radio reasonable received record companies Register representing revision royalty schools Senator BURDICK songs sound statement stations statutory teachers teaching television term tion transmission United University users WQED writers York
435. lappuse - ... (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.
325. lappuse - The notice, which you have been pleased to take of my labours, had it been early, had been kind : but it has been delayed till I am indifferent, and cannot enjoy it ; till I am solitary, and cannot impart it ; till I am known, and do not want it.
660. lappuse - Subject to the requirement that such measures are not applied in a manner which would constitute a means of arbitrary or unjustifiable discrimination between countries where the same conditions prevail, or a disguised restriction on international trade...
3. lappuse - Audiovisual works" are works that consist of a series of related images which are intrinsically intended to be shown by the use of machines or devices such as projectors, viewers, or electronic equipment, together with accompanying sounds, if any, regardless of the nature of the material objects, such as films or tapes, in which the works are embodied.
620. lappuse - Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
560. lappuse - ... (1) to reproduce the copyrighted work in copies or phonorecords ; (2) to prepare derivative works based upon the copyrighted work ; (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending...
18. lappuse - ... years when application for such renewal and extension shall have been made to the Copyright Office and duly registered therein within five years prior to the expiration of the original term of copyright...
622. lappuse - The sole interest of the United States and the primary object in conferring the monopoly lie in the general benefits derived by the public from the labors of authors.
4. lappuse - Copies" are material objects, other than phonorecords, in which a work is fixed by any method now known or later developed, and from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. The term "copies" includes the material object, other than a phonorecord, "in which the work is first fixed.
192. lappuse - Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.