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the facts that those still in business have
had to lay off thousands of employees, close
down labels, reduce facilities, consolidate
operations, slash their artist rosters,
sharply limit their signing and promoting
of new talent, and release fewer albums;
and

increases in the price of the records that are sold, thus making it more and more attractive each day to forego the purchase of a record and tape it instead.

In short, widespread home taping has recently created a genuine crisis for the recording industry. But beyond that, the harmful effects of home taping have spread across the country and touched the lives of Americans in cities and towns large and small. They are the songwriters, music publishers, recording artists, vocalists, musicians, retailers, distributors,

manufacturers and suppliers who depend on the vitality

of the recording industry for their own livelihoods.

III. HOME AUDIO TAPING CONSTITUTES COPYRIGHT
INFRINGEMENT UNDER CURRENT LAW

The home taping question gained national prominence when the federal Court of Appeals for the

Ninth Circuit

-

in the so-called Betamax case

-

held

that off-the-air taping of copyrighted television

programming in the home for private use constitutes

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copyright infringement.19/

The Betamax case did not

decide the issue of home audio taping. However, some of those who urge Congress to reverse the Betamax decision have employed the fallacious argument that home video taping should be exempted from copyright infringement liability because home audio taping is already exempt under current law.

There are two separate points at issue. First, home taping proponents claim that home taping is actually exempt from the proscriptions of the Copyright Act of 1976. A second argument is that, even if home taping is not exempt, the "fair use" doctrine set forth in section 107 of the 1976 Act relieves the home taper of any infringement liability.

As demonstrated in the attached memorandum prepared by America's preeminent copyright scholar, UCLA law professor Melville B. Nimmer, this legal argument utterly fails on both counts. Professor Nimmer concludes, as to the first point, that "[t]here is not and never has been an exemption from copyright liability

19/ Universal City Studios Inc. v. Sony Corp. of America, 659 F.2d 963 (9th Cir. 1981), reh'g denied (9th Cir. Jan. 11, 1982), petition for certiorari filed (March 11, 1982).

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Second, he concludes that home audio taping is not

immunized from infringement liability on the basis of "fair use" because it does not meet the relevant tests prescribed by the Copyright Act. (Id.)

A.

There Is No Home Audio Taping Exemption

The Copyright Act of 1976 creates a broad

reproduction right in Section 106(1), subject only to the express exemptions contained in Sections 107 through

118. There is no home recording exemption in any of

those sections.

Moreover, the legislative history of

the 1976 Act is devoid of any reference to a home

recording exemption.

The main source of the claim that there exists a "home audio recording exemption" is a single passage from the report of the House Judiciary Committee on

the Sound Recording Amendment of 1971,20/ a statute that for the first time extended copyright protection to sound recordings and that was addressed to the problem of commercial record piracy. Additional comments on

the home recording issue were made in hearing testimony

20/

See H.R. Rep. No. 92-487, 92nd Cong., 1st Sess. 7 (1971).

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and on the floor of the House.21/

These scattered

references to home recording do not rise to the level of establishing an implied home audio taping exemption under current law. There are two reasons for reaching this conclusion.

First, the 1971 Amendment itself contained no

home recording exemption. There was no mention whatsoever of home recording in the Senate proceedings prior to the 1971 enactment. Thus, there is no justification for inferring a Congressional intent to create a home audio taping exemption either from the 1971 Amendment or its legislative history.

Second, and even more significantly, the House references to home recording pertained to a statute that was repealed by the comprehensive general revision of the copyright law in 1976. The current legal status of home audio taping is therefore to be found not in the 1971 Amendment or its legislative history, but rather in the Copyright Act of 1976. As already noted, neither that Act nor its legislative history contains any

21/ These additional comments are discussed in detail by Professor Nimmer in his memorandum. (Appendix Seven, at 7-12.)

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exemption for home audio taping beyond the defense of fair use. Indeed, the legislative history of the new law incorporates verbatim much of the language contained

in the House report accompanying the 1971 Amendment,

but entirely omits the passage referring to home

recording.

Thus, as Professor Nimmer concludes, "[e]ven

if . . it be assumed that an audio recording exemption

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were somehow contained in the 1971 Amendment, it must
be concluded that any such exemption was not carried
over into the general revision of copyright law as
embodied in the Copyright Act of 1976."
at 12.) 22/

(Appendix Seven,

B.

Home Audio Taping Does Not
Constitute "Fair Use"

The second issue is whether home taping, even

if not exempt under the 1976 Act, nevertheless

22/ This conclusion is reinforced by the "Betamax" decision, in which it was held that:

"The statute itself and the House and
Senate reports accompanying the 1976
Act do not provide for a broad based
home use exception." Universal City
Studios, Inc. v. Sony Corp. of America,
659 F.2d 963, 968 (9th Cir. 1981),
reh'g denied (9th Cir. Jan. 11, 1982),
petition for certiorari filed (March
11, 1982).

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