The Advance of the American Short StoryDodd, Mead, 1923 - 302 lappuses |
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1.–5. rezultāts no 28.
28. lappuse
... Haw- thorne or Poe . But we may perceive in his writ- ings one significant fact , I think , which is usually ignored . He was in quiet revolt against the American life of his time . I do not mean £ 28 THE ADVANCE OF THE.
... Haw- thorne or Poe . But we may perceive in his writ- ings one significant fact , I think , which is usually ignored . He was in quiet revolt against the American life of his time . I do not mean £ 28 THE ADVANCE OF THE.
32. lappuse
... quiet balance have the merit of forestalling any reaction against his subject . There is an unfortunate ten- dency nowadays , which may perhaps be regarded as an excess of virtue , to value a short story in so far as it gives us a shock ...
... quiet balance have the merit of forestalling any reaction against his subject . There is an unfortunate ten- dency nowadays , which may perhaps be regarded as an excess of virtue , to value a short story in so far as it gives us a shock ...
34. lappuse
... quiet level of careful characterization . The epi- sodic shetches of Swallow Barn ( 1832 ) , which was published in the same year as The Alhambra , chronicle the uneventful life of a Virginia planta- tion , 347 THE ADVANCE OF THE.
... quiet level of careful characterization . The epi- sodic shetches of Swallow Barn ( 1832 ) , which was published in the same year as The Alhambra , chronicle the uneventful life of a Virginia planta- tion , 347 THE ADVANCE OF THE.
35. lappuse
... quiet urbanity caught from Irving is to be found in the work of James Hall ( 1793-1868 ) , whose best book is The Wilderness and the War Path ( 1846 ) . His stories and sketches date from 1820 , and chronicle the life of the West in a ...
... quiet urbanity caught from Irving is to be found in the work of James Hall ( 1793-1868 ) , whose best book is The Wilderness and the War Path ( 1846 ) . His stories and sketches date from 1820 , and chronicle the life of the West in a ...
40. lappuse
... of the piece may seem to some readers crude , but by his previous method of surmise , the author has cunningly pre- 1 American Short Stories , 1904 , pp . 61-95 . pared us for this coda , which quietly rounds off 407 THE ADVANCE OF THE.
... of the piece may seem to some readers crude , but by his previous method of surmise , the author has cunningly pre- 1 American Short Stories , 1904 , pp . 61-95 . pared us for this coda , which quietly rounds off 407 THE ADVANCE OF THE.
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achievement admirable Aldrich Ambrose Bierce Ameri American literature American short story American writers artist background Bret Harte CHAPTER characters chronicle civilization collection color conceal conflict conscious contemporaries craftsmanship critics Dickens drama dream effect England essay esteem fact faith feel fiction Fitz-James O'Brien forgotten frequently Hamlin Garland Hawthorne Hawthorne's Henry James heresy Herman Melville human humor Ibid irony Irving Jack London Kipling later less literary living Mark Twain Mary Melville ment mind narratives Nathaniel Hawthorne never novelist novels passion perhaps period picture pioneer Poe's prose psychological published Puritan qualities quiet reader realized regionalist reprinted romantic escape Rose Terry Cooke Sarah Orne Jewett sense sentiment Sherwood Anderson short story writer significant social soul spiritual story-teller strange style subtle subtlety success surprise ending tale tion to-day Van Wyck Brooks Wilkins Freeman words written
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179. lappuse - Do not weep, maiden, for war is kind. Because your lover threw wild hands toward the sky And the affrighted steed ran on alone, Do not weep. War is kind. Hoarse, booming drums of the regiment Little souls who thirst for fight, These men were born to drill and die The unexplained glory flies above them Great is the battle-god, great, and his kingdom A field where a thousand corpses lie. Do not weep, babe, for war is kind. Because your father tumbled in the yellow trenches, Raged at his breast, gulped...
49. lappuse - No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.
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