The Advance of the American Short StoryDodd, Mead, 1923 - 302 lappuses |
No grāmatas satura
1.–5. rezultāts no 48.
17. lappuse
... one another is certain to be neither in poetry , which the Ameri- can public either ignores or regards sentimentally , nor in the novel for which we have shown no strik- ing talent , but in the short story , which 17 AMERICAN SHORT STORY.
... one another is certain to be neither in poetry , which the Ameri- can public either ignores or regards sentimentally , nor in the novel for which we have shown no strik- ing talent , but in the short story , which 17 AMERICAN SHORT STORY.
23. lappuse
... a new form . It was soon to find the novel , and the English discovery of this adequate form served to delay the advent of the short story in any very significant way until it came to England once more 23 AMERICAN SHORT STORY.
... a new form . It was soon to find the novel , and the English discovery of this adequate form served to delay the advent of the short story in any very significant way until it came to England once more 23 AMERICAN SHORT STORY.
25. lappuse
... novel as the character- istic form of American fiction , as it did in Eng- land ? The answer is , I think , clear . It was partly a matter of temperament , and partly a matter of environment , though there is a neces- sary connection ...
... novel as the character- istic form of American fiction , as it did in Eng- land ? The answer is , I think , clear . It was partly a matter of temperament , and partly a matter of environment , though there is a neces- sary connection ...
26. lappuse
... novel , and to this day the short story is our characteristic literary form , and the novels we have produced are for the most part of insignificant literary value . So much by way of introduction to Washington Irving . We have defined ...
... novel , and to this day the short story is our characteristic literary form , and the novels we have produced are for the most part of insignificant literary value . So much by way of introduction to Washington Irving . We have defined ...
35. lappuse
... novel of the Revolution , Horse - Shoe Robinson , which still finds readers . The same tone of quiet urbanity caught from Irving is to be found in the work of James Hall ( 1793-1868 ) , whose best book is The Wilderness and the War Path ...
... novel of the Revolution , Horse - Shoe Robinson , which still finds readers . The same tone of quiet urbanity caught from Irving is to be found in the work of James Hall ( 1793-1868 ) , whose best book is The Wilderness and the War Path ...
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achievement admirable Aldrich Ambrose Bierce Ameri American literature American short story American writers artist background Bret Harte CHAPTER characters chronicle civilization collection color conceal conflict conscious contemporaries craftsmanship critics Dickens drama dream effect England essay esteem fact faith feel fiction Fitz-James O'Brien forgotten frequently Hamlin Garland Hawthorne Hawthorne's Henry James heresy Herman Melville human humor Ibid irony Irving Jack London Kipling later less literary living Mark Twain Mary Melville ment mind narratives Nathaniel Hawthorne never novelist novels passion perhaps period picture pioneer Poe's prose psychological published Puritan qualities quiet reader realized regionalist reprinted romantic escape Rose Terry Cooke Sarah Orne Jewett sense sentiment Sherwood Anderson short story writer significant social soul spiritual story-teller strange style subtle subtlety success surprise ending tale tion to-day Van Wyck Brooks Wilkins Freeman words written
Populāri fragmenti
179. lappuse - Do not weep, maiden, for war is kind. Because your lover threw wild hands toward the sky And the affrighted steed ran on alone, Do not weep. War is kind. Hoarse, booming drums of the regiment Little souls who thirst for fight, These men were born to drill and die The unexplained glory flies above them Great is the battle-god, great, and his kingdom A field where a thousand corpses lie. Do not weep, babe, for war is kind. Because your father tumbled in the yellow trenches, Raged at his breast, gulped...
49. lappuse - No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.
50. lappuse - ... the truth of the human heart— has fairly a right to present that truth under circumstances, to a great extent, of the writer's own choosing or creation. If he think fit, also, he may so manage his atmospherical medium as to bring out or mellow the lights and deepen and enrich the shadows of the picture.
82. lappuse - A skilful literary artist has constructed a tale. If wise, he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents such incidents — he then combines such events that may best aid him in establishing this preconceived effect.
81. lappuse - I prefer commencing with the consideration of an effect. Keeping originality always in view — for he is false to himself who ventures to dispense with so obvious and so easily attainable a source of interest — I say to myself, in the first place, "Of the innumerable effects, or impressions, of which the heart, the intellect or (more generally) the soul is susceptible, what one shall I, on the present occasion, choose?
78. lappuse - I believe, noticed in the schools— that in our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember.
82. lappuse - In the whole composition there should be no word written of which the tendency, direct or indirect, is not to the one preestablished design.
131. lappuse - She sits up, by her dying fire, far into the night, under the spell of recognitions on which she finds the last sharpness suddenly wait. It is a representation simply of her motionlessly seeing^ and an attempt withal to make the mere still lucidity of her act as " interesting " as the surprise of a caravan or the idcntification of a pirate.
47. lappuse - I sat down by the wayside of life like a man under enchantment, and a shrubbery sprung up around me, and the bushes grew to be saplings, and the saplings became trees, until no exit appeared possible through the entangling depths of my obscurity.
62. lappuse - Bartleby. But nothing stirred. I paused; then went close up to him; stooped over, and saw that his dim eyes were open; otherwise he seemed profoundly sleeping. Something prompted me to touch him. I felt his hand, when a tingling shiver ran up my arm and down my spine to my feet. The round face of the grub-man peered upon me now. "His dinner is ready. Won't he dine to-day, either? Or does he live without dining?" "Lives without dining,